Chopin: Etude opus 10 no 3
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| Chopin's Etude op.10 no.3
April 01, 2011, 07:05:44 AM by pianoviolin
I've been working on this Etude, and I must say, its a beautiful piece but it is a sort of challenging piece (especially the middle section) which i LOVE!
Well when it gets to the section where all those sixths come along, (the part after the chromatic fourths) do any of you know some really good exercises to make them sound clear, and not hit other keys while playing them, and also to play it at a fast pace?
| Chopin's Etude Op. 10 No. 3
October 11, 2010, 03:20:46 PM by vincentl
|I was wondering how everybody else plays this etude, I read somewhere that you should use as little pedal as possible, but it's a little difficult to rely purely on legato (For me that is). I hold down the sustain pedal almost through the whole piece releasing it only to avoid a muddy sound. How about you?
| Chopin Etude Opus 10, No. 3
April 29, 2010, 02:47:35 AM by ninjapianist
|Ive been working on this piece for a few months, and I'd like some feedback. I seem to be constantly finding things I could improve on.....sigh.....But isn't there always something?
Also, Im wondering if I'm putting the recorder in the wrong place in relation to the piano, because this recording came out sounding kind of mellow and muffled for some reason. Any ideas of where I should put the recorder?
| Chopin - Etude Op.10 No.3
August 23, 2009, 08:29:22 PM by chopianist123
|Hi all !
I have a question about Chopin's Etude No.3. In bar 30, I believe the first two notes played by the right hand would be A and C#. Then bar 31 it would be A and C natural. Then bar 34 would be B and D#, followed by B and D natural in bar 35.
Most recordings follow this, but in Idil Biret's version, she somehow plays A and C# for both bars 30 and 31. She also plays B and D natural for both bars 34 and 35.
Are there different ways of playing this? Or is her playing incorrect?
Your answers are greatly appreciated.
| Chopin etude op. 10 no. 3
April 17, 2009, 01:32:36 PM by njalli
|here it is Chopin etude op. 10 no. 3
sorry about low quiality.
i know i made about 1-2 mistakes..
PLEASE COMMENT.. or.. or... next sunday you will dissapear
| (Update: more added) - chopin op. 10, no.3
May 21, 2007, 08:20:50 PM by lagin
Okay, here are the "notes" meaning, that's about all it is. I don't care that I have mistakes and hesitations in it. I can fix that. What I do need are some ideas of what to do with this passage dynamically. There's the forte and piano echo bars (29 and 30; 34 and 35). But other than that the dynamic markings are somewhat limited and I am feeling uncreative, and my lesson got canceled today. Ideas people! All sorts of them is what I need to make this passage really "pop."
| Chopin Etude op. 10 no. 3 tempo suggestions?
February 25, 2007, 07:47:25 PM by lagin
|I was noticing that the opening tempo indicated by my Urtext edition of Chopin etudes, for op. 10, no. 3 (the slow one), is 100 to the eighth note. I'm learning this for a performance exam. I really think it sounds best at about 66 - 70 to the eighth note which is way off. Do you think it would be uncharacteristically slow if I choose to perform it at this tempo? The other hindrance is the middle section that is "a little bit faster" because I actually like playing it around 108 to the eighth note with is a little faster than 100 at the opening. But if I open at 70 and then jump to 108 would it sound too much faster? I don't want to play the middle section too slowly as all those dissonant diminished 7th runs wouldn't sound like nice fluent runs if the tempo is too slow. What do you guys think about all this? Any suggestions?
| Question about Chopin Etude Op. 10, No 3 LOL
January 11, 2007, 09:59:01 PM by rach3pianoconcerto
|Howdy i just have question about the chromatic fourth progression starting in bar 38. Would any of you NOT decend the left hand in bar 38 with a 1-4 2-5 fingering? I find that particulary the easiest way to do things.
Mainly wondering if its a big deal to land on the first note(In the left hand) of bar 39 with a twisting 2-5 fingering or would it be ok to land on that chord with a much easier 3-1 fingering. I guess we must keep in mind the legato. Pop some feed back about these decending chromatic fourths in bars 38-41. Much appreciated!!!
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