Chopin: Nocturne opus 9 no 2
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ID:1011
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 Chopin, Nocturne E flat major, op 9 no 2
June 12, 2011, 08:20:48 PM by jollisg
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Hi!
This is an old recording, about one year old. When this piece was recorded, I had been playing piano for almost 5 years and I was 15 years old. It's a yamaha grand piano if I remember it right...
I hear some missed notes and some strange dynamics. I've improved a lot since this recording, but I want to start with something little older  Soon I will show you something I actually play at the moment ^^'
I will be grateful for comments, even though I don't play this piece at the moment. Maybe I will start to play this piece again, and then your comments will be used!
http://www.botkyrka.se/bibliotekochkultur/botkyrkakulturskola/galleriet/Musik/02%20Nocturne%20Ess-dur.mp3
(Sorry for my bad english, I'm from Sweden so english isn't my native language  )
// Jollis
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Chopin - Nocturne op 9 no 2
March 14, 2011, 09:32:20 PM by carbe
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I am playing Chopin's Nocturne op 9 no 2 in Eb.
I wish I could record this piece on a grand piano, but this is what I had at the moment.
Hope you like it, enjoy!
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Tips for Chopin's Nocturne op.9 no. 2
October 21, 2010, 02:18:28 PM by faa2010
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I am practicing (apart from other Chopin's pieces) the famous Nocturne op.9 no.2.
I only have to memorize the last part (it starts something like E,F,E,F,G; E,F,E,F,E,F,G...) with both hands, and I want to put more feeling, to be less monotonous.
Could you give me some tips in order to improve?, maybe a link in order to know more about the piece?,
I appreciate your help.
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Chopi Nocturne Opus 9 Nr.2
June 22, 2010, 01:17:59 PM by jono1
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I'm learning this piece but having some problems with the pedalling. Page 1 and 3 of the Urtext copy shows all the pedalling in great detail. However page 2 has no pedalling signs until the last bar. Does this mean no pedalling. It seems nigh on impossible to play smoothly without some pedalling. Any one else out there had this problem?
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Chopin Nocturne Op9 No2
October 18, 2007, 02:32:49 PM by guermantes
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Hi !
I'm working on the above nocturne and would like some advice on how to better my playing of measure 32 (cadenza-like right hand writtten in small notes). The preceding arpeggioed chord is the dominant seventh on B flat. The small notes are embroideries of the B flat of the chord.
Not counting the first C flat, the run can be broken up into 4 groups of 12 notes and the remainder could be seen as preparation of the final two measures of the piece and not part of the "run" proper.
I've always found it useful to practice notes that are grouped in 4's (such as groupes of four 16ths) in groups of three notes and viceversa to avoid always stressing the beginning of each group as written.
So I've practiced in groups of three notes starting from each different note (there are 4 obviously), starting with one group of three, then 2 groups of three, etc. lowering the wrist at the start of each practice unit and raising it at the end of the same.
After this practice, I launch the whole run at full speed and have then found it difficult to remember where I am in all the repetitions. So, I play the first group of 12 (not counting the initial Cflat) piano, crescendo on the 2nd group, forte for the 3rd group, decrescendo on the 4th group with the same but minimal lowering and raising of the wrist without leaving the keyboard.
Would anyone else have some light to shed on this subject ?
Many thanks in advance.
Guermantes
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Nocturne opus 9 no 2 PS Urtext (sheet music) 
