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Erik Satie: Sarabandes
These three pieces introduce a number of the techniques that are typical of Satie’s early style, including the use of modes, and unresolved dissonances.
They were probably directly influenced by Chabrier´s opera Le Roi malgré lui, which Satie heard for the first time a few months before the appearance of the Sarabandes.
Satie was no doubt taken by Chabrier´s liberal use of seventh and ninth chords; but while Chabrier used these chords for colour, Satie uses them to create a sense of tonality being suspended.
Sheet Music Downloads:
Collection ID: 130| Title | AST | Key | Composed | Type | Level |
|---|---|---|---|---|---|
| Sarabande No. 1 |  | A-flat Major | 1887 | Piece | 5 |
| Sarabande No. 2 | | D-sharp Minor | 1887 | Piece | 5 |
| Sarabande No. 3 | | D-flat Major | 1887 | Piece | 6 |