With music venues on lock down across the world and many of us spending a lot more time at home, we can now enjoy the growing supply of concerts via live stream to watch from home on our TV, computer or smartphone.
Igor Levit preparing for the livestream from his home in Berlin.
The trend took off quickly, with production values ranging from tinny iPhone videos to cinema-ready sophistication. On March 12, the day New York theaters shuttered, the pianist Igor Levit gave his first lo-fi performance from his living room, while the Berlin Philharmonic and the Philadelphia Orchestra played to empty halls and audiences at home. Since then, a day hasn’t gone by without something new to watch.
Many of these online broadcasts have been more personal than a typical classical concert, with a casual dress code, pianos out of tune and imperfect production. It is a unique opportunity to hear what it sounds like when great artists are practicing at their own piano at home – perhaps a realistic chance to compare how your own piano playing is measuring up!
The new list of upcoming livestreams
Piano Street has now launced a new feature to help you keep track of upcoming livestreamed piano events. Watch the new ticker on our homepage >>
Note that all start times are given in GMT (UTC). We wish you best of luck with the challenging work to convert them to your own time zone!
Piano Day, an annual worldwide event founded by a group of likeminded people, takes place on the 88th day of the year – in 2020 it’s the 28th March – because of the number of keys on the instrument being celebrated.
“Why does the world need a Piano Day? For many reasons. But mostly, because it doesn’t hurt to celebrate the piano and everything around it: performers, composers, piano builders, tuners, movers and most important, the listener.” – Nils Frahm
An exclusive broadcast from the Sydney Opera House
Introduced by Piano Day’s founder Nils Frahm, this is a celebration of the piano in all its forms with and exclusive broadcast featuring moving performances, unseen recordings and interviews.
Piano Day Playlist 2020 on Soundcloud
World Piano Day – Global Livestream
Deutsche Gramophon marks #WorldPianoDay March 28, 3pm CET, with an international virtual festival featuring performances by members of its family of artists, live-streamed on our FB and YouTube channel. The roster of stars includes Maria João Pires, Víkingur Ólafsson, Joep Beving, Rudolf Buchbinder, Seong-Jin Cho, Jan Lisiecki, Kit Armstrong, Simon Ghraichy, Daniil Trifonov, Evgeny Kissin – bringing people together through the power of music.
What you have been wondering and perhaps worrying about for many years is suddenly upon you. The question was if online piano lesson are worth it and if so, how to get started? Now there is no more time to ponder, this week you will be teaching all your piano students online!
This article is under preparation but since this is an urgent time for most of us to skill up, we are publishing the draft.
While you could spend the remainder of this school year investigating and planning for the optimal way to teach piano remotely using various online tools and adjusting your educational approach and content accordingly, it will still not be close to a physical lesson. But online teaching will have both advantages and disadvantages, and as a piano teacher your creative and pedagogical skills will surely help you make the most of the advantages.
This article covers many obvious things, but the aim is to quickly introduce you to the current consensus around the basic concepts of online piano teaching and not least, to help you get your online teaching started today!
Are you ready for the crash course?
Level 1: Just do it!
The best piano lesson?
The lesson that actually takes place. (Any lesson, physical or online is better than a cancelled lesson.)
The best technical devices and equipment?
The stuff you and your students already own.
The best platform?
The one you and your student already use or can easily start using.
The best outcome?
You assist and inspire as many of your students as possible to continue practicing during a time of social isolation.
We suggest that your main goal for the first week is to get started immediately with what you have. Follow up each student’s progress and encourage them to continue practicing.
What not to expect at this level:
– Good sound quality
– Sharing sheet music and annotations on screen
– Multi camera setup
– Working with tone quality
– Giving detailed feedback about interpretation
– Introducing new complex concepts and techniques
Problems to accept:
– You cannot play together due to the time delay (often up to 1 second).
– Quality of the video call may vary and you might have to disconnect and use an alternative platform during the lesson.
A minimal setup
Since your highest priority is to connect and communicate without too much preparation and practical problem solving, we suggest you get started with this simple setup.
Devices and platforms
Both you as a teacher and your students use the following:
– A smartphone, tablet and/or laptop that you already use
– Facetime, Skype, Zoom, WhatsApp, Snapchat etc.
Since all your students are likely not using the same platforms you should install and setup accounts on at least two different platforms.
Facetime – often decent quality, but can only be used if both you and your student have Apple devices. It is simply a video call. Skype – quality can be very varying due to wifi connections etc. You can keep up the conversation between lessons in the chat where you can send text, sheet music, assignments, images and video etc. Zoom – similar to Skype but as a dedicated online conference and education solution, it has features for scheduling lessons. Most students are not familiar with it and you will be more locked into a “walled garden” compared to the other platforms. WhatsApp – many users have it and as with Skype you can share different kinds of content. Snapchat – since most kids use it, it is good to have as a backup solution. Voice call – a simple phone call should not be underestimated. It is the clear winner in terms of accessability and if you know your student well, you can easily conduct a useful lesson that keeps the student on track.
Instruct the student to place the smartphone in a vertical (portrait) position at the end of the keyboard. Attach it with adhesive (e.g. Blu Tack) or tape.
You can also opt for horizontal video, but you need to decide which of the two to use. For smartphones with small screens, vertical as in the picture above is recommended but if you both use laptops, horizontal is the natural choice.
As a teacher it is useful and practical to use two devices. For example a smartphone for the video call and a laptop for keeping notes in an e-mail or shared text document.
Turn of any sound enhancements, auto mic adjust and “mirror image”.
Planning and following-up
As an alternative or complement to the student’s physical notebook, use either one e-mail (that you both keep replying to between lessons) or a shared Google Doc file. Before the lesson, list the following:
– Lesson time
– Your accounts on the various platforms and the preferred one for this lesson
– Lesson content in bullet form
During the lesson you can make notes for the students and finish by setting up the time and lesson content bullets for the next lesson.
Quick tips:
– Follow the same routines as your physical lessons.
– Have simple goals with each lesson.
– Look at the camera to create a sense of eye contact with your student.
– One thing at a time. Do not talk while you or the student is playing.
– Real-time instructions or counting the beats while the student is playing are delayed, which will be very distracting.
– Give more responsibility to the student. For example let them make notes in their score or judge for themselves if the balance between hands is good.
– Keep in mind that a significant part of the gains with having a piano lesson is that the student keeps practicing to prepare for the lesson and get a new assignment to continue practicing.
Getting to work
Before you quickly jump in, a word of warning: You will probably need to install new apps and software, sign-up for new services, and encourage your students to do the same. Be aware that depending on your circumstances and experience there may be online security and privacy issues that you may need to consider carefully.
1. Try out two different video call platforms and practice your app skills (chat, post a file or image).
2. Figure out how to position/mount your device(s) and work on your filming skills (switch between front/rear camera etc).
3. Set-up a shared document or e-mail for each student with the content mentioned above and send it over to your students.
4. Read this article and this to have a better chance to avoid embarrassing beginner mistakes. Prepare your family members if you are teaching from home!
5. Wait for your first call!
Level 2: Adjust your content and method
When you have been able to connect and communicate with your students in real time you will probably see obvious room for improvement in many areas. Your priorities will depend on your situation, so need to evaluate your experience from level 1 in order to set up your prioritis for your next steps as an online piano teacher.
While a very reasonable reaction is to start thinking about improving the (sometimes terrible) sound and video quality with better technical equipment, consider that it is not only you as a teacher that need a better camera, microphone, tablet etc. but all your students also need to level up their gear in order for you to benefit from it.
Instead, your time is now probably better spent to pragmatically consider which type of lesson content and methods are the most effective and useful in this new situation.
You may now need a good service for publishing and viewing videos privately. YouTube is the superior market leader for two reasons: it works great and it is free. Get an account and consider asking your students to do the same if you want them to send/share videos.
Here are some thoughts to get you started:
“Flipped classroom” approach
Give students material to learn on their own (video courses, printed material, apps etc.). During live video lessons you assist them by helping to solve the problems they have encountered.
“Video exchange” approach
The student is asked to record a video of their piece or other assessment and send it to you. You can get back with written comments in an email, or with a short video clip with comments and instructions. Videos recorded and posted will almost always be of considerably better quality than a real-time video call. It is not unrealistic to assume that the student might be even more motivated and dedicated to playing well in the video recording than when just practicing for the ordinary lesson.
Here are more invaluable tips about content, techniques, and routines for online piano teaching that has recently been shared on YouTube by piano teachers.
Top Music: 5 Quick Tips for Producing Video Piano Lessons Online
The Clarion Clavier: How and why I teach piano lessons online through Skype
Curious Piano Teachers: Your Essential Guide to Giving Online Piano Lessons
Now you are ready to explore the many ways of improving the technological side of your online teaching.
While you can quite easily gear up to deliver impressive multi-camera lessons with great sound on a budget below $3.000, before you jump in, take a moment to consider a few things:
– You can not expect all students to invest in quality gear. They may still use their smartphone with a small screen and poor audio (both microphone and speakers).
– If your online lessons are too impressive, it may not just be the temporary solution that you had in mind. Students and parents will get used to the new situation and it is easy to imagine that they will in many cases prefer and require online lessons even when the period of social distancing is over. Are you really ready to give up physical lessons?
– Just to physically set up the technical gear for high-tech multicamera lessons does take time. If you use a proven setup that you have been working with before, you should still expect an hour to get camera stands, mic placement, hdmi adapters, audio mixer, camera angles, device charging and a lot more to be in place. Unless you have a dedicated online piano lessons studio where you can keep the setup intact over time, you may have to spend a lot of time rigging up and down.
If the above points cannot hold you back, get started by listening to some piano teachers with long experience in this area that we have found sharing their tips on YouTube:
Josh Wright: 15 Tips For ONLINE Piano Lessons (filmed during COVID-19 quarantining)
The latest addition to our already vast piano sheet music library almost doubles the number of pieces by Franz Liszt. Last week, we added 193 pieces by this multifaceted composer, taking a significant step towards our goal of publishing a complete library of the classical piano repertoire. Our Liszt section is now nearly complete, but more will follow – with this extremely productive and hard-working composer-pianist it’s hard to know where to stop!
Getting a grip on Liszt’s complete works is a complicated business, not least because of his many reworkings and revisions – many pieces exist in two or three versions. Among our new additions are some early versions of pieces from the important cycle Années de pèlerinage. These works were conceived during the young Liszt’s years of travel, collected in the early Album d’un voyageur, and finalized in his mature period.
Liszt’s pianistic language was incredibly rich, and he wrote pieces in a lot of different genres. As one of history’s greatest touring virtuosos, much of his music is notoriously difficult to play. But there are exceptions, not least among the sacred pieces like the transcription of Arcadelt’s Ave Maria, or some of the late works like Abschied, Wiegenlied, or En rêve. Works from this period are also notable for their forward-looking harmonic language.
We’ve added many of the great fantasies and paraphrases, a specialty of Liszt, who was always very interested in promoting other composers’ works, either by including them in his recitals or by making all sorts of piano arrangements and transcriptions. Among the new opera fantasies on site are the Réminiscences of Mozart’s Don Juan, Bellini’s Norma and Donizetti’s Lucia di Lammermoor, and the Concert Paraphrases on Verdi’s Rigoletto and Ernani. There are also a large number of more straightforward transcriptions: 39 Schubert songs and 14 Wagner opera excerpts, to name some of them.
The new pieces are also available in the AST, where you can listen to handpicked recordings from Naxos Music Library while following along in the score – an excellent way of broadening your repertoire knowledge, and a chance to get a fuller picture of a composer who was one of music’s greatest innovators but tends to be known by only a tiny fraction of his work.
A classic viral piano piece, “Dusting the Piano” has finally got a follow-up. While Dusting the Piano should be managable for players of ABRSM grade 1 and suitable for performances during less critical times, the new Coronavirus Etude is more complex (around ABRSM grade 5) and aimed to be more effective against viruses.
Which piece is most useful?
The effectiveness of the new Coronavirus Etude may be questioned since most of the effort probably does not remove, but just move the viruses and bacteria sideways. Most likely, a lot of it will just get stuck on the sides of the keys and “Dusting the Piano” may end up as the winner.
Viral spread
The Coronavirus Etude itelf appears to have gone viral, with dozens of performances already recorded and published in various social media. Check out the Instagram tag #coronavirusetude for some examples.
Here are some of the more notable interpretations so far. If you have recorded it, please post a link in the comments below!
If you are into something even more advanced, check out Dichotomie, a piano piece by Esa-Pekka Salonen composed in the year 2000.
Here, pianist Aura Go plays the first movement, ‘Mécanisme’:
On a more serious note
While pandemics are no fun at all, these musical jokes remind us about the importance of hygiene when using shared instruments in lesson and practice spaces and may be justified. If you want to learn more about how to effectively clean your piano keys, please read our article:
“How to Keep Your Piano Keys Clean from Viruses?”
Ming's Piano, a music school with 12 teachers and about 200 students, has hired three trucks to deliver lessons at students' doorsteps and save its business. Read more at reuters.com
2020-04-09
Lang Lang In Covid-19 Action
Lang Lang joins the "One World: Together At Home" global broadcast & digital special lineup on April 18, to support frontline healthcare workers and the WHO. Read more at radiichina.com
2020-04-09
Ruhr Piano Festival's Digital Festival
Renowned Ruhr Piano Festival is currently reviewing and revising concert dates in 2020. The 23 concerts were originally planned from 21 April to 17 May. In the meantime you can enjoy digital performances from the past at their digital festival starting Friday April 10th. Read more at klavierfestival.de
2020-04-08
A Pianist Trained Outlook
Anne Chow is a Julliard-trained pianist and CEO of AT&T Business: "I think leadership and organizations are a lot like an orchestra. One wrong move from one person on the team can destroy the whole symphony." Read more at dmagazine.com
2020-04-07
Peter Serkin's Last Project
Serkin recorded six volumes of CPE Bach in 2018 at Bard College in New York State. This is a set of 37 works compiled into six books of Rondos, Sonatas and Fantasias.
Read more at nytimes.com
2020-04-06
Cleveland News Looking Ahead
During a pandemic, the Cleveland 2020-21 season surely is a beautiful teaser. New and unusual repertoire plus the lineup has a great deal to offer, even in normal times. Read more at cleveland.com
