The minimalista acordes, is similar to a track of Steve Reich's "Different Trains", track 4 "Fast". Meaning, that track and his music inspired me to improvise in similar ways.
The romantic improvisations just like all the tracks that I post, are cut so the in between notes or passages are not present (for example while passing from scales to arpegios, to some etude, etc.)
In the barroco improvisation I ended up playing not what I intended, mostly because I wanted to keep it going and didn't feel like correcting in the moment.
Greetings,
Ary