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Topic: Saint-Saens - Op52 no2 Finger Independance Etude  (Read 1453 times)

Offline stevie

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Saint-Saens - Op52 no2 Finger Independance Etude
on: July 25, 2005, 02:08:27 AM
https://www.amazon.co.uk/exec/obidos/ASIN/B00000DLY3/qid=1122256725/sr=1-1/ref=sr_1_8_1/202-9270329-2101406

ive heard this sample(track 2) and a midi of this piece, and i think its really beautiful. however a couple things about the score perplex me.

firstly, how exactly do you play the 'bigger' notes in a way to seperate them from the rest of the texture, and seconds, there are bars with a note in the left hand held throughout a whole measure, but with other notes higher up, and so high as to prevent anyone besides perhaps rachmaninov reaching them without letting go of the lower note, is this achieved by a swift leap in the left hand and held by the sustaining pedal?

i find this etude very interesting, because the notes and tempo arent the difficulty, its all about voicing, it should help any pianist's technique, and it is as i mentioned, very beautiful.

anyone out there familiar with this piece and willing to help?

thanks

Offline stevie

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Re: Saint-Saens - Op52 no2 Finger Independance Etude
Reply #1 on: July 26, 2005, 11:27:12 AM
thanks for the tips, ill try them out.

Offline stevie

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Re: Saint-Saens - Op52 no2 Finger Independance Etude
Reply #2 on: November 19, 2005, 03:29:25 AM
https://www.amazon.co.uk/exec/obidos/ASIN/B00000DLY3/qid=1122256725/sr=1-1/ref=sr_1_8_1/202-9270329-2101406

ive heard this sample(track 2) and a midi of this piece, and i think its really beautiful. however a couple things about the score perplex me.

firstly, how exactly do you play the 'bigger' notes in a way to seperate them from the rest of the texture, and seconds, there are bars with a note in the left hand held throughout a whole measure, but with other notes higher up, and so high as to prevent anyone besides perhaps rachmaninov reaching them without letting go of the lower note, is this achieved by a swift leap in the left hand and held by the sustaining pedal?

i find this etude very interesting, because the notes and tempo arent the difficulty, its all about voicing, it should help any pianist's technique, and it is as i mentioned, very beautiful.

anyone out there familiar with this piece and willing to help?

thanks
 

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