In some ways, Erik Satie reminds me of Adrian Monk, the TV detective. Monk has a closet with a number of identical sport jackets and a number of identical shirts. He always dresses exactly the same, day after day.
Beethoven was playing a new piano concerto of his, but already at the first ‘tutti’, forgetting that he was the soloist, he jumped up and began to conduct in his own peculiar fashion. At the first ‘sforzando’ he threw out his arms so wide that he knocked over both the lamps from the music stand of the piano. The audience laughed and Beethoven was so beside himself over this disturbance that he stopped the orchestra and made them start again. Seyfried, worried for fear that this would happen again in the same place, took the precaution of ordering two choir boys to stand next to Beethoven and to hold the lamps in their hands. One of them innocently stepped closer and followed the music from the piano part. But when the fatal ‘sforzando’ burst forth, the poor boy received from Beethoven’s right hand such a sharp slap in the face that, terrified, he dropped the lamp on the floor. The other, more wary boy, who had been anxiously following Beethoven’s movements, succeeded in avoiding the blow by ducking in time. If the audience had laughed the first time, they now indulged in a truly bacchanalian riot. Beethoven broke out in such a fury that when he struck the first chord of the solo he broke six strings. Every effort of the true music-lovers to restore calm and attention remained unavailing for some time; thus the first Allegro of the Concerto was completely lost to the audience. Since this accident, Beethoven wanted to give no more concerts.