I want to attempt large works, but most of the large works I see seem to be something meant to be played when I am older and more mature (Dante Sonata, B minor, Rach 2nd sonata, Gaspard de la Nuit, etc.)
You may also realize, when you are older and more mature, that this memorization idea of yours is not quite that brilliant. I would not start to memorize and play pieces just for the sake of memorization (if you want a challenge, memorize Sorabji's Opus clavicembalisticum). Instead, make a list of all the pieces that you want to play, because they interest you from a musical perspective, and then learn those. It is true, apparently, that pieces memorized when young, stick longer, but those pieces that your are really interested in, and where you therefore pay extra attention, will really stick.
But rather than small, concentrated memorizing, I'm thinking of doing large works.
xvimbi has really given you the best advice. Memory is intimately related to meaning and interest, so it is almost impossible to memorise something that is (for you) meaningless, or something you have no interest on. These are the real variables, not age (and the reason children seem to be able to memorise with more facility is related to it).Also, have a look here:https://pianoforum.net/smf/index.php/topic,2083.msg17227.html#msg17227(the basic theory)https://pianoforum.net/smf/index.php/topic,3858.msg34936.html#msg34936(the basics – includes the history of the Art of memory)https://www.pianoforum.net/smf/index.php/topic,7399.msg74758.html#msg74758(the details of the process using “dozen a day” as an example)https://pianoforum.net/smf/index.php/topic,4321.msg40678.html#msg40678(reply #22)Best wishes,Bernhard.
thanks,
You never fail!