yes. genius is kinda scary. i mean, i couldn't find a question he didn't know the answer to. even on my term paper, i asked what the latin term 'ibid' stood for - and he knew the answer. now that is scary! a teacher who knows latin.
perhaps i'm too easily impressed. i know what you mean, mayla, and have to agree to what you are saying in terms of younger students. as you get older, you just don't care so much about the 'relationship' and just want to get to the point of how to play the piano really efficiently. you can take years and years of lessons and have a really good time - but sometimes having a good time isn't where you challenge yourself as much as you could.
it depends on what you are seeking. i am seeking the risk factor. 'will i be booted out on the first lesson?' just getting into the school was a risk for me. i went up and played the waldstein sonata thinking it was really good - when, now i see i wasn't that great at all. just because you can play something difficult doesn't mean you are talented or an artist. it just means you took the time to learn something difficult. turning that piece into something people want to hear takes a lot more learning - and for challenging pieces you need challenging teachers.
i just see myself climbing up the face of a rock and falling from 50 feet. i want to die trying. maybe at 90 i'll climb on stage - prop my crutches behind my back - and play like clara schumann. i want to be buried near a piano. i want people to know that i searched for the truth in piano. (where is it? looks in the bench). that at least a few of my concerts were worth going to. and, that i learned something from my quest and pass on what i understand. a really really really good teacher is probably one who has studied piano since youth and has won a few (or a lot ) of competitions, played a lot of recitals, knows piano repertoire backwards and forwards, and has the respect of other teachers in the area (as well as students).