shoot for the moon. even if you miss, you'll land among the stars
what u've already learned is probably good enough. what i mean is - whatever u work before u have a teacher,they might think u've worked with someone else. so just be minimal until u start lessons. THAT is the time, imo, to start deciding. ur teacher will be able to help u begin on pieces that are truly where u should start. teachers are very perceptive and don't be offended if they continue to be easier than u think they should be for a year or so. then, once ur technique is equal to the level of pieces and everything is 'caught up' (or maybe u already are!) - then u'll proceed tot he next level without missing something important.one thing i've learned is to never argue with a teacher. they always have good reasons (or should) and if something seems too easy - u can always work some harder stuff on the side without telling them. even if it is just time for sightreading something harder. but, NEVER complain. these really good teachers know what they are doing and u just stuff it for awhile and then u see what they are doing for u.
so i'd been avoiding what i didn't like (the virtuosity in chopiN) and finally realized after some lessons as to HOw to approach the technique realized it WAS possible for me to play these etudes.
Music, the greatest good that mortals know, And all of heaven we have below. - Joseph Addison
give his Chopin Variations a try!
do you know what op.'s these are? and what do u think is the best 1?