I imagine most people will say uprights, but I think there's a correlation between madd skillz and the piano's quality.I am, however, proud to say that I learned my gangsta repertoire (Pathetique, Bm Scherzo, Partita #3, etc.) on a $400 dollar keyboard with 76 unweighted keys, XD. Sux to be poor.
When I teach I am always at peoples homes, so there are 25 or so different pianos that I play on every week during lessons.
Do you seriously go to that many people's homes to teach? Why can't they come to your place and save you a trip?
two? are you independently wealthy? you must be an artist. or very rich.of course the thread did say 'play on.' i suppose if you went into a piano store every day you could literally 'play on' your favorite instruments and not necessarily own them.
But can you play these pieces on a real piano? Otherwise, it's actually easier on an unwieghted keyboard.
A baby grand Mason & Hamlin (1928, fully restored 1981) and a Steinway B (1896, desperately in need of a complete overhaul - "like its owner", as someone will no doubt say - but it will sadly have to remain in that state for the foreseeable future, as I happen not to have the requisite £10,000 or so pocket change to remedy the matter).Both somewhat wasted on me, I suppose, since I am not a pianist and, as a compoer, I don't even use either when composing (I never compose at the piano).Best,Alistair
Oh! In that case, I will take them. Walter Ramsey
You'd be surprised. It's actually harder to play on my keyboard because 1) my pedal sux, so I can't EVER cheat on legato passages, and 2) you can't pull off dynamics without pressing the notes extremely hard, so I've had to bash on the thing a lot. I guess both those two help overall when you move to a grand with better action.
1 year-old Yamaha Clavinova CLP-130. Very good sound.