Hi piano121,
Thanks for the nice compliment, I appreciate it. Yeah, it's wierd that you're the first posting for this piece. Yet I got a ton of comments on Op. 90, No. 1.
I agree that voicing the melodic line in sequential chords is essential.
I have a "to do" repertoire list that I'm trying to work my way through, but yes, eventually I'll cycle back to Schubert again, and will look at No. 3 as you suggested.
I'd also like to complete the remaining three Moments Musicaux, and maybe do a sonata while I'm at it.
My 1983 Baldwin L grand is being rebuilt as I write this--new Ronsen-Wurzen hammers with new shanks and flanges, new tuning pins, Mapes IG wire for the treble, and Arledge Bass Strings. I'm hoping that these new components, recommended by a former Baldwin design engineer will make a huge difference. I should have the piano back in a couple of weeks at worst. Whenever you restring, tuning stability is always a problem at first until the strings stretch, so I'll have to keep after that. Looking back, when I did my recordings, I really should have tuned the piano more frequently. Two or three others here have remarked on that here. I'll be more conscientious about tuning if I decide do some new recordings later on.
Thanks for commenting!
David