I don't think this word has been used correctly once on the entire forum.vir·tu·os·i·ty ( P ) Pronunciation Key (vűrch-s-t)n. pl. vir·tu·os·i·ties The technical skill, fluency, or style exhibited by a virtuoso or a composition. Therefore, saying piece a is more virtuosic than piece b is clearly incorrect. They are a different type of virtuosity. I don't want to single people out, but Hmoll just said in another thread "they tend to want to hear the virtuosic etudes, so stay away from Op. 10#3, 6, 9, and Op. 25# 1, 2, 7, 12 ". True, these are virtuosic, but so are the other etudes, just in different ways,Ed
Damn, Ed, shouldn't you be out chasing girls, or getting drunk instead of looking up words in the dictionary?
We had a massive party last night and I drank too much and have been feeling ill all day. My family have now left me to go to another party, and I am sitting here eating chocolate cake and ice cream. Happy Christmas to all,Ed
Well, don't listen to me. Below is taken from the auditon requirements for Juilliard:"One virtuosic etude by Bartók, Chopin, Debussy, Liszt, Prokofiev, Rachmaninoff, Scriabin, or Stravinsky. "I guess if they can make a distinction between an etude being virtuosic or not, I'll allow myself to do the same.
it's laudable that you have taken it upon yourself to be the self-appointed Piano Forum sentinel defending the English language from fallacious and erroneous usage
I would take that to mean any etude though, since they are all virtuosic.
Absolutely not. I know a lot of people who have been through Juilliard - as students and teachers - and they all say that that sentence precludes Op. 10#3, Op. 25#1,2, and 7.
While we all know what Juilliard are trying to say, they fail to do so in correct English unfortunately,Ed
If you know what they are trying to say, why did you bring up the subject in the first place? The fact is, you didn't know what they were saying, or you would not have suggeted that they mean all etudes.
There is only ambiguity in the usage of the word, not the definition of it,Ed
I don't think this word has been used correctly once on the entire forum.
We had a massive party last night and I drank too much and have been feeling ill all day.
Ross: There is nothing wrong about speaking correct English!Rachel (taking the piss): Indeed, there isn't.
At any rate, you're wrong again.
Usage determines definition, and usage evolves. Editors of dictionaries know this.
A four-year old playing Chopin 10/4 is not being virtuosic. But, when performed reasonably within the directions of the printed score (as by a virtuoso), the result usually exhibits lots of technical skill and fluency, or else they can't play the notes.
The piece in itself is conducive to very showy and technically skilfull performance (it's a virtuosic etude). My $0.02.
But the technical difficulties of 10/3 don't cause listeners to go into convulsions and scream. Liszt's performance pieces did.
Perhaps your argument would be stronger if you mentioned which dictionary you referenced. I consulted MW Int., they differ in wording but your point is still valid.
You have demonstrated that according to a literal defintion from a dictionary, this usage is incorrect. Accepted.
I think ed is simply one of THOSE people who refuse to lose an argument
Here's my thoughts: Ed, you're right. Everyone else, ed's right. But whatever. We'll use "virtuosic" our way. We'll do it wrong. As long as we don't mind...
I don't ever remember being wrong before (or indeed, this time). Ed
Just curious. Are you Maddox?
if you don't use your language properly, you'll end up like George Bush. So listen to Ed! Please!
This is just recognized convention.
(As far as I'm aware, the songs have to be identical for that to be true)
So we establish that some of Chopin's etudes are harder than the others.
The hardest of these etudes are difficult to the point that simply playing them would require VIRTUOSIC ability. That is, one who is not a VIRTUOSO is unable to play it.
The simplest of his etudes may be played by one who is not a VIRTUOSO (though this does not exclude a VIRTUOSO from playing it better).
Thus I have (hopefully) established that it IS possible for a piece to be more VIRTUOSIC then another (Although, purely in this context)
he is virtuosic played chopin etude no. 5 like that of a virtuoso...