manice? or menace? what country are you from? i think you are an alien. but, you probably play piano really well.
you know what i think part of the problem is. many people do not have pianos that are built to last. that function properly. i mean - some people have 80 year old pianos for the name chickering. how can you play if the pedals stick and the keys are already stuck down in three places? or, for someone who ONLY has accoustic. you can learn where all the notes are - but playing on a regular piano is probably a necessary thing to learn to pedal properly.
also, many teachers do not know how to teach proper pedalling. this is one of the most neglected areas of expertise. i think it radically switches from composer to composer. you don't flutter pedal (as with debussy, liszt, chopin) as much in brahms and beethoven - although flutter pedalling is becoming quite important to me. a very light flutter (on top of the pedal) for debussy, etc. but a sort of deeper pedal and then sudden lighter three quaver pedal to lose the heavy reverb of the bass in sudden sfp's in beethoven and so forth.
i have no idea how scriabin viewed pedalling. perhaps you can enlighten me. i don't play him much - but i printed out a few pieces of his to attempt to learn. some composers used an actual pedal piano (below the regular keyboard) as mozart - and actually wrote several piano concertos with the lower octaves being supposed to be played by the feet. who would know nowdays? i think the piano that mozart has has been destroyed or lost. someone recreated it - but i forgot his name.
some people can't pedal because they have huge feet and have to turn them sideways to just get a toe on. some people have small feet and weak ankles. this is where working out is important - working out pedalling, i mean. practicing strengthens the ability for the foot to go up and down (of course it doesn't have to go up and down very much because the pedal-point is really a minute space of 1/16 of an inch). if you are a beginner - likely you are 'slapping' the pedal. later - you refine it to a close shave. and after that - you start not even using it if it isn't necessary to the sound. i like the muted sounds of combining the damper pedal with the una chorda pedal. perhaps some pedalling is not even for pedal effect - but more for sound effect?