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From Sacile to Symphony Halls: The Fazioli Phenomenon

For Paolo Fazioli, music isn’t just a profession – it’s a calling. In connection with the introduction of Fazioli's new model F198 and the presentation of The Cremona Musica Award 2024, we had the opportunity to get an exclusive interview with the famous instrument creator and award winner. Read more

Topic: "The Great Gate" from Mussorgsky's Pictures at an Exhibition - large leaps  (Read 4531 times)

Offline elsie07

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I am having trouble with the short appoggiaturas (leaping from the appoggiatura to the main chord) in measures 18-29 and 162-169 of "The Great Gate" from Pictures at an Exhibition.  Also, the large leaps of both hands in opposite directions in m. 89-106 and 114-161. :P I know these sections hands separate, but I am having trouble joining hands without missing half the notes because I watch where one hand lands but not the other.  I try it at a slow tempo, but even then I can't seem to get it.

Any suggestions for how to execute these large leaps?  Any help is much appreciated! :)
 - Evelyn Glennie
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Offline dnephi

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I recommend Liszt's Exercise for Leaps in Contrary Motion, from the Technical Exercises.  I believe it's in the second volume of the three, each volume bearing 12 books.

Daniel
For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert.  (Roughly quoted, Franz Liszt.)

Offline elsie07

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Thanks, I will try that! :)

Does anyone else have other suggestions?
 - Evelyn Glennie

Offline tds

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I am having trouble with the short appoggiaturas (leaping from the appoggiatura to the main chord) in measures 18-29 and 162-169 of "The Great Gate" from Pictures at an Exhibition.  Also, the large leaps of both hands in opposite directions in m. 89-106 and 114-161. :P I know these sections hands separate, but I am having trouble joining hands without missing half the notes because I watch where one hand lands but not the other.  I try it at a slow tempo, but even then I can't seem to get it.

Any suggestions for how to execute these large leaps?  Any help is much appreciated! :)

i know its an old thread. did you get it alrite by now? yes, the leaps are ultra hard and unpianistic. this is what i did: i rewrote the coda. yes, and now it works way better and even has much more grandeur, and more satisfying effects.

tds
dignity, love and joy.
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