This effort is not too far removed from some of the divertisement offered by vaudevillian entertainers; i.e., the guy who could play piano with his hands behind his back, or while standing on his head, etc. So what??!! Considering the overall nobility of the piano literature and all its splendid executants, the amount of hype displayed by the Website reduces this effort to nothing but a rather self-serving parlor trick. It's easy to become obsessed with trivial aspects of interpretation such as whether a performer executes adequate octave glissandi in the "Waldstein" or if they break an Olympic speed record with their Chopin G Prelude. Personally, I'd rather leave my spirit open to larger, more meritorious aspects of interpretation.