See if there's a two-hand version of the "Night on Bald Mountain" piece by Mussorgsky.
The first movement of Bartok's piano sonata is pretty scary and unpredictable to the unfamiliar ear. Some of Mosolov's work might also do the trick.
The ending of Mahler's 6th makes me almost literally jump out of my seat every single time even though I know it's coming. As for pieces including piano, Martha Argerich said she's never played Beethoven's 4th Concerto because of how much the 2nd movement scared her when she was little. Liszt's Totentanz is pretty scary too.
Ravel in G concertolast mvt
Scarbo's begining was creepy though.
Hector Berlioz' Symphonie Fantastique "Witches Sabbath" is as scary as they come... Not a piano piece, but creepy nonetheless...
It is a piano piece when Liszt gets his unique hands on it! (listen to French pianist Roger Muraro's recording of it at ).