3. What are you on about?
5. A huge amount of Sorabji is free.
Here is some recommended reading:https://imslpforums.org/viewtopic.php?f=13&t=3977
I have no idea what an argument smells like
we'd love to have deailts
I have a few details spare, so I will send you some.
Why so? And what does that say about your response to such solo piano works as the Hammerklavier Sonata, Goldberg Variations, Stevenson's Passacaglia or any number of larger works by Sorabji? - or indeed piano concertos such as the two by Brahms, the Busoni, the (Alan) Bush and the big one by Skalkottas or piano quintets such as those by Schmitt and Schmidt? In short, is the problem that of the composer concerned in each such case or your own personal attention span?
Upon first listening few pieces managed to maintain my attention. Many pieces that could be included in the list you mentioned fell into the category of "manageable" for me. But, and here is the but, after thoroughly listening to many of these longer works many times one starts to be a little bit hesitant to have to put themselves through listening to the work again. I find myself skipping parts of longer works I observe online that I know well, I know this is not a good habit but with technology these days we can do it easily and I am not really interested in hearing certain parts when I have listening time. Since most large scale works are quite boring for me even on first observation I find in general I can't listen to more than 30-40minutes. I find I can put up with longer works for extended times if I have the score with me however, my attention span shoots up to hours then, but if I am merely listening my mind wanders and I can get pretty bored even though piano music is my profession!
Ravel: Pavane for a Dead PrincessRavel: Concerto in G, middle movementSchubert: Impromptu Op. 90 No. 3
I'm not really sure why this got resurrected. But never the less, Although Piano can evoke so many emotions (of course including sadness) I rarely get sad listening to piano music. I do feel a lot of emotions when I perform the pieces and this enables me - I think to better perform them.I have actually only gotten very sad at one composition so far and it was a Choral. O Magnum Mysterium, no piano piece has ever came close yet.
Chopin Ballades, especially the G minor.
This is the kind of thread that really cheers you up, isn't it?
Joplin's "Magnetic Rag" has always seemed to me to contain a deep undercurrent of sadness, but maybe this reaction is purely personal.Yes, perhaps we could start another one about happy pieces.
Gabriel Fauré - Pavane, Op. 50Maurice Ravel - Pavane for Dead PrincessGrieg Peer Gynt - Death of Ase(These pieces are not orginally written for piano)
How hintoresting.