Not specifically on this work, but for those of us with weaker left hands it can be a good idea to practice the right hand as a mirror image of a left-hand passage (using the geometry of the keyboard) and then let the right hand "teach" the left how to do it. For example, a left hand falling chromatic scale starting on D is the mirror image of a right hand rising chromatic scale on D, because it involves exactly the same distribution of black and white notes. But the mirror image of, say, a falling left-hand scale of A major would be a rising "scale" in the right hand G Ab Bb C D Eb F. Then the right-hand can teach the left-hand by playing both hands together (if you can bear the cacophony!)
Try this on the left-hand part of the Revolutionary Etude, (ascending arpeggio figure on C becomes descending figure on E) or the running passage in the left-hand of Mozart K576 last movement (First three notes D E F# become D C Bb). It was surprising (to me) how different the feeling in the two hands can be when you start doing this, but the right-hand often does it better!