People don't request songs on this forum. We (as a collective) are classical music snobs, and most likely, if we desire to hear a piece played, we either learn the piece ourselves or go on YouTube to see virtuosos play it (resulting in self-pity).
But if you insist, I'd like to request a "song". Not too many people like it, and I could never dream of even attempting it in 632 years.imslp.org/wiki/Special:ImagefromIndex/02895
Anything by Scriabin or Rachmaninoff. With the exception of Rachmaninoff preludes Op. 23 No. 2 and Op. 3 No. 2
You don't like 23/2? I hate 3/2 as well but B-flat major...definitely the best major key, and it's a beautiful piece.Speaking of which, rach_forever, I was looking through a list of Rachmaninoff's piano works yesterday and I realized just how pitifully short it was! I mean, the quality is, of course, superb, but he wrote some preludes, etudes tableaux, variations, moments musicaux, 2 sonatas, 4 concerti plus Rhapsody on a theme of Paganini, and that's about it...I don't know what to say! I mean, that sounds like a lot when I list it like that...but when you think about it...if only he had realized how dumb orchestras are and given us a couple more sonatas instead of symphonies, right? So??? Do you have anything to say for yourself..."_forever"?
Well I absolutely HATE Op. 23 No. 2 and Op. 3 No. 2 with all of my heart!I had a discussion with my teacher the other day about how Rachmaninoff doesn't really have a lot of piano works. It's probably because of Rachmaninoff's depression. He felt too salty to compose a lot. What a tragedy... But it's a good thing he was depressed! Or else he would've made different music! I like Rachmaninoff just the way he is!
I agree about 3/2, but 23/2 is a beautiful piece! I guess maybe it's just cause I haven't heard 23/2 as often.Anyway, yes, his music certainly would have been different! But I really wish he had a greater output. A third sonata, yes, a third sonata would have made me very happy!
And another set of variations would be good too.
When Rachmaninoff was young, he was actually an incredible conductor in high demand by orchestras. Then he shifted his time and energy into composing. When the Bolshevic Revolution happened, and he and his wife made their way to Sweden and then United States, two things happened. He wasn't as inspired to compose as when he was in his native Russia. But from a more practical standpoint, he was very frequently on tour giving recitals for years (as his livelihood), and had far less time for composing.David
I can see it now..."New Rachmaninoff score uncovered! Piece entitled 'Variations on a Theme of Scriabin"
dude that would be so freaking awesome!!!
As much as I like Scriabin, I don't think he really had too many memorable themes
As much as I wish that would happen, it would probably be the end of music as we know it...
Wouldn't a set of Scriabin Variations on a Theme by Rachmaninoff make more sense musically?
And the first performance will be by...Valentina!
i vote for a scriabin paraphrase on rachmaninoff variations of a theme by js bach
I wonder if rach_forever would play "Bach - Paraphrase on Rachmaninoff variations of on a theme of Scriabin" (ya know, assuming time travel were possible)...I mean, if you add it up, it's 2 composers he likes, 1 he doesn't but on the other hand, the person with the final say on the matter is Bach, so he'd have a greater influence on the piece than Rach or Scriabin
Omg I would be sooooooooooooooooooooooooo freaking happy if she would do that! I... Would just die!
Bach would probably spoil the whole piece.
Carl Vine paraphrase on Scriabin variations of a theme by Rachmaninoff
Sounds good. One of the Variations should be a fugue.Incidentally, have you ever played a non-Bach fugue?
I'm sure the reason why I suck at fugues is because the ones I can play are all by Bach.
Betcha you're wrong. Try one by someone else.
How about this fugue?
edit. whatever you do , STAY AWAY from the TANEYEV FUGUE from his prelude and fugue in g# minor! i love the guy and his works are well composed (studied with Tchaikovsky), and man was he briliant, but remember this is Rachmaninoff and Scriabin's counterpoint instructor, and to attempt this thing is almost an exercise in futility! (not really, it 's just super hard, id love to play it some day when i grow up)