I know, but once you advance higher to the point of interpreting and have gotten past technique, we'll see your interpretation, which will be interesting.
See you in 10 years or so!
I have a question: Does it look bad if you only perform a part of a sonata, instead of the whole thing>
I like the trancendental etude in G minor. If there’s more stuff in this style by him, I’d be happy to listen to it?Most of his music is either too jumpy, too thumby or too sweet for my taste. If you get what I mean?
Have a look through the works talked about here (easier than giving you a list, and perhaps enough background to focus you starting point):https://en.wikipedia.org/wiki/Late_works_of_Franz_Liszt
that's my favorite period for Liszt, seems his music got really dark at times and i think it got so interesting once he joined the clergy towards the end of his life. like this one. man i love this thing, been having the 'itch' to play soemthing from that last 5 years or so of his lifeas for the whole classical discussion i missed out on, to the OP, yeah really it's all been said. but i still can't quite understand what there isn't to like about this. i think this piece is mind-blowingly beautifulno worris though we will try to help and suggest stuff you might like from another period, perhaps you will come around someday
that's my favorite period for Liszt, seems his music got really dark at times and i think it got so interesting once he joined the clergy towards the end of his life. like this one. man i love this thing, been having the 'itch' to play soemthing from that last 5 years or so of his life
Now why is it that when these guys write slow and dark, it becomes overly dramatic (for my taste that is)? When the Russians and Polish do it it's just lovely and melancholic?
yeah maybe, it's still lovely, but i'm with you, i tend to like stuff from 'slavic' regions much more, heavy on the russian but yeah parts thereabouts too...
Any slavic blood?