Rach sonata no. 1 and Liszt B minor sonata are the two that come to mind.I really love listening to concertos, but I'm not sure I'll ever even play one. I'm such a nervous wreck trying to perform alone, imagine how nervous I'd be knowing that an entire orchestra is counting on me! But if I were to do a concerto, Rach 1-3 are great, and Prokofiev 2
..I don't think I have one anymore. Just an ongoing list.
Well what's at the end of the list, huh?
I have no idea, there is too much music that i have not listened to....ambiguous response.. ..sorry
It is also quite possible that it hasn't even been written yet, anway.
My true goal piece(s) is...all 48 WTC preludes and fugues.
I did consider mentioning that the list is limitless if one's owns compositions and future works are considered.
Chopin: Sonata nro 3And also Allegro De Concert (not his best music but how cool would it be to be able to play it)
BTW. Please tell me:Which piece is harder?How many years/hours do I have to practice before I can do it?
I would guess the sonata is harder, but I don't know. Let's consult the handy-dandy Hele scale.On Henle's scale, Allegro de concert is an 8 (out of 9), and the sonata is a 9. I think a difference of a full number between two pieces of the same composer would be relatively accurate.How many years/hours? Depends on how quick of a learner you are, how efficiently you practice, how attentive you are during practice, and all that. Which is to say, I have no idea.
I can't believe someone actually fell for that!
Considering the number of questions like this on Piano Street, you shouldn't feel too proud of yourself for making me think you were serious.
Maybe just a tiny little bit? Please...? EDIT:This is a serious question, which I have sometimes thought about (but obviously unable to do empirical research):Do you think it is easier to play a piece of about 25 min with 4 movements or a piece of 15 min without any pauses between the movements?
What's on your repertoire? Those two pieces are REALLY hard. Judging by looking at some of the pieces on your signature, you really shouldn't look at those. Also, instead of keeping on lucking at very difficult pieces, you should focus on finishing the pieces you are learning right now first.
Sorabji's Opus Clavicembalisticum is pretty charming.I have yet to buy the score. So I haven't made the investment yet.
It's like 300 pages. That's ridiculous.And now Alistair is gonna come in here and say, "Actually, it's only 267 pages.Best,Alistair"Either way, it's reallllllllllly long.
No but yeah, a lot of people really hate Sorabji and Schoenberg, but I like them. You just gotta give them some time, they'll grow on you.
...am very interested in many Beethoven sonatas, but especially some works for violin and piano. ...I heard a piano student at the school play ...I will have time and place for more ...
now you have even less timehttps://www.mediafire.com/?qyb6qu2w31j3r5h,5u7888idh41pshh,t79u4xr2564fvar,ttb9u2c5w1ikm33,mdwqpjzwk8xo6z2,ufoxkzpnqhex9asget them while they're "hot"*legal speak-works and editions are PDwhat school? are you at UT? great piano happenings there, i like your practice rooms, some good little steinway grands in them (some better than others but you guys must have a great tech or techs on board, the actions seem to always feel nice despite their heavy use), those "sound proof"-ish little rooms upstairs are cool. (i've gone there to practice some and when i've played for other folk's auditions )