But he did teach. A lot. And "pupil of Liszt" was a badge people wore with pride (whatever their actual entitlement).Oh, and anyone trying to teach you anything has my very greatest sympathy.
Liszt said that merely about the mechanical issues of playing, stiffness of fingers, etc... He was a "very" good teacher, very inspirational. Take a look at his pupils...
if you have enough monkeys locked in a room, given enough time, even they'd be able to write Shakespeare.
It seems to me that too many parameters within that hypothesis are beyond what could actually ever be measured in human terms.
However, the greatest performers alive today (for the most part) sit on faculties at big music schools.
I find it odd that Liszt is always taken as an example in these discussion.
Not even! Liszt was THE man!
Uh huh. Sure. If you say so. Since you dropped all those names, I'm guessing you knew them all personally and took lessons from each and every one of them for extended periods of time. Sure you did. And I'm guessing that these pianists were all technically gifted and were able to transfer their gifts to you so that now you are absolutely masterful at technique that you no longer need to take lessons from any of them. Yeah. Sure.
"Those who can, do. Those who can't, teach.^It's sad, but true.
These pianists weren't hired at these schools because of their teaching skills. They were hired because of their reputation as pianists. The two are mutually exclusive. You admit that Fleisher isn't the best teacher for technique but you do get musical instruction from him. Does he still have issues with his hand? Doesn't this provide evidence for my point?
Faulty, this isn't the first time we get in this kind of problem. I don't want to sound blunt, but why in every thread you keep your mind so closed to other arguments? Consider for once that what you think is not right. We feel that no matter what we say to you, you're always gonna dismiss it.
If you read over the arguments, you'll see for yourself that none of the responses to my point used any valid evidence. Calling up long-dead pianists is not evidence. Making assumptions about their teaching skills is not evidence. Repeatedly making correlation-causation fallacies is erroneous. Each time I counter these responses, these posters just make personal attacks. Why? Because they don't have any valid reason to believe what they believe since they've never given it any thought until now. They are operating on assumptions which are being challenged.Here's some erroneous assumptions:Liszt had some famous pupils so he must have been a great teacher.Many pianists have had famous teachers so these teachers must be really good.Teachers who sit at faculty positions at top name brand schools must be really good.If you do not see the errors of these kinds of arguments, then you probably support them because it aligns with your own views. Hence the reason why you made your post, not to discuss the ideas in the thread, but to discuss me.
These pianists weren't hired at these schools because of their teaching skills. They were hired because of their reputation as pianists. The two are mutually exclusive.
Ok, I can agree to some extent that we cannot prove the teaching abilities of these professionals. But then again, as someone here has said before, neither disprove. You too are based on an assumption, that their teaching and performance abilities cannot coexist. How can you say that Neuhaus wasn't a good teacher and performer, for example? Richter said he was his greatest teacher, and we have recordings of him on youtube, that confirm his great performance skills. What argument do you have against this? That Richter didn't know better? I don't know why, but I'll go with him instead of you this time...
I wont spend it on some stubborn American, who only like pop and boobs.
If anyone cares, I started teaching in April
Your bank manager, probably. The Tax man, very much so. Congrats! How are you finding it?