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Topic: Appassionata?  (Read 1441 times)

Offline m1469

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Appassionata?
on: April 09, 2014, 09:03:36 PM
"The greatest thing in this world is not so much where we are, but in what direction we are moving"  ~Oliver Wendell Holmes

Offline future_maestro

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Re: Appassionata?
Reply #1 on: April 25, 2014, 10:09:15 PM
what?  :-\
"To play a wrong note is insignificant;
to play without passion is inexcusable."
    - Ludwig van Beethoven

Offline indianajo

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Re: Appassionata?
Reply #2 on: April 26, 2014, 01:59:52 AM
Enough ghouls!
I'm here tonight because PBS has defaced the Sleeping Beauty ballet with vampires.  I watched ninety seconds of it.  Paul said devils and principalities have no power over us.  I don't spend any time studying their ways, either. 
The real Appassionnata reminds me of dark forests, rain, and stone building.  Mold is enough of an enemy in real life, I don't need ghouls. 

Offline Bob

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Re: Appassionata?
Reply #3 on: April 26, 2014, 01:19:28 PM
I think it's important to have ghouls, as well as a plahn to achieve those ghouls.
Favorite new teacher quote -- "You found the only possible wrong answer."

Offline perprocrastinate

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Re: Appassionata?
Reply #4 on: April 26, 2014, 01:55:29 PM
I'm guessing this has nothing to do with the 'fate' motif of Beethoven's Appassionata.
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Women and the Chopin Competition: Breaking Barriers in Classical Music

The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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