The score is misleading, some spots seem to be repetitive. But getting it all together is something which is main problem in this work.
I almost wonder maybe we don't have to think too much about how they are together.
I wonder if there's way to back off after the exciting introduction and pursue more lyrical mood for a while to leave a room to the end.
By the way, in the video, I realized you actually have hands that are the same size with mine. But you play like your hands are twice as big as mine.
I noticed you are practicing Beethoven Op 109. I can't wait to hear that one.
In the first movement, mind your accents - some of them are missing and some are in the wrong place. (That's occasionally true in the Rondo as well, but not nearly as much) There's also quite a few wrong notes, so check the score if you don't already know about them. Nothing major.
Those blasted things at the start of the Scherzo aren't quite right - the demisemiquavers are too short and the semiquavers aren't accented or quite crisp enough (note the rests). They're actually the bit I struggled with most out of the whole thing.
The dynamics seemed a little narrow, but I suspect that's a recording artefact.
I know only one piece, I can't play - , so don't waste more time on looking at your small hands and go practicing .
It can be a while, because I just started. And I got an offer to be a cocktail pianist on a cruise ship, so it's possible I'll abandon this project. I'll need to learn how to play jazz pieces in next two months...