And.... do they play Wagner?
Can the TSO really afford to be picky?
What did she say exactly? Article doesn't say. I guess she's pro russian?
or perhaps calculated publicity ploy. obviously her playing isn't buzz worthy/won't get generate the chatter to the extent she wants/needs, so perhaps her pr people are 'in favor of this' as now there's noise around here that wouldn't be there (and this is better publicity than a bad review had the tso show gone on as planned? Roll Eyes )
or pehaps calculated publicity ploy
To his credit he do seems to be in a hurry to get home...
Btw.: What makes me anxious, would be the next step, if music was used as instrument to manipulate, or to motivate...even for bad things, like: war...https://www.youtube.com/watch?v=lDmDBlz1zYc
OTOH If I was going to die soon, I'd certainly appreciate the possibility to hear someone like Gilels to play live first!
or pehaps calculated publicity ploy.
They were probably looking for a reason to ditch her as she is crap.
I think it's wrong to cancel her for perceived offence caused, the TSO should have the balls to state what it is that's offensive (I don't think they had as of when I looked when I first heard about this), then people can make some judgement as to the merits or otherwise of their action.
-You mean that the death is something to pray for if you are forced to listen to Gilels?
Munich: Russian Pianist in HandcuffsAcclaimed Russian pianist Boris Berezovsky blames the German BGS in Munich for having mistreated him. This was what his concert-agency notified on Saturday. According to this, Berezovsky had been held back during passport control at Munich Airport on Thursday, because he hadn't got a valid visa. The musician had declared to have been mistreated by six BGS-officers. In handcuffs he had been taken into custody to secure deportation. The BGS in Munich confirmed on Saturday, that the pianist had been rejected, because he hadn't got a valid visa. The other accusations completely lacked background, they pointed out.
Richter disliked performing in the United States and the high expectations of American audiences.[citation needed] Following a 1970 incident at Alice Tully Hall in New York City, when Richter's performance alongside David Oistrakh was disrupted by anti-Soviet protests, Richter vowed never to return. Rumors of a planned return to Carnegie Hall surfaced in the last years of Richter's life, although it is not clear if there was any truth behind them.
On April 26, 2009, Zimerman vowed to his audience at Los Angeles's Walt Disney Concert Hall that, in protest of America's placement of a missile defense shield in Poland, this would be his final appearance in the United States.[2][4] He had made a similar comment in 2006, stating he would not return until George W. Bush was out of office.[5] Part of his disenchantment with the USA may be that with the stepped up militarization and security at US airports, it has become increasingly difficult to bring his piano into the country. In incidents in 2001 and 2006, one of his Steinway pianos was completely destroyed and another one damaged by security staff at New York's JFK airport.
[...]Sometimes its even very good and morally necessary.[...]
In my brain, I see armed, masked, fighters climbing into her house, ...
In my brain, I can see masked fighters climbing out of her house as they can't stand her playing.Thal
I wouldn't want anything to do with the creature. She is beyond help.Thal
I think things now go a bit out of control. Very dangerous. What do you think?
I think your eyes have just been opened to some things going on in the world. Things have been out of control for quite some time. But ignorance is bliss so think before digging deeper...
[...]She / he who doesn't know her, won't get the relation to music.The head of an aged lady [ in a picture ] doesn't give any information about the person. The lady is the pianist Elly Ney ( * 27.09.1882 in Düsseldorf, + 31.03.1968 in Tutzing) . The etching by Walter Steinecke, original size: 85 * 85 mm, shows a portrait of the pianist in a corona / rays of light. No single hint aside of the name in the picture shows in any way a connection to music. The upper right corner [of the pic] shows the year "51", and the upper left corner shows the emblem of the creator, Walter Steinecke.Elly Ney was, like Paderewski [...], amongst others student of Theodor Leschetitzky. When she was a child, she already was influenced by antisemitism. This was an attitude which later should intensify in her.She was a supporter of a "humanitarian ethic", but which in her own understanding was only valid for "race-true" Germans.She got married to the Netherlands' conductor and violinist Willem van Hoogstraten. Since 1921 Elly Ney has lived in the USA. She was an acknowledged specialist for Beethoven and Brahms.Since 1930 she shifted her "center of activity" back to Europe, again.Since 1937 she has been a member of the NSDAP, and she got her nomination ( to become a professor ) by Adolf Hitler.After 1945 she experienced reputational damage, due to her NS-connections. 1952 she was rehabilitated, and THEN, she could continue her career as a pianist until very old age, and make up record-, film- and TV- recordings.Her work as an artist brought highest honors to her.Of course it couldn't be avoided, that after 1945 - and who couldn't understand that !! - there took place a very high sensitivity to persons with former NS - connections or nazi-past. The "dynamite" lies, thus, in the question, whether an art like "music" and political opinions are to be judged SEPARATELY, and, additionally to that, in the question, whether rehabilitation ( after previous confusions of political nature ) should be applied quickly, referring to persons of public interest, or not.This question is too complex and too delicate / touchy to be discussed here.Fact is, that the picture [...], for people who know the mentioned backgrounds, in any case motivates to think about it.[...]