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Topic: Polyrhythms  (Read 2225 times)

Offline rachmaninoff_forever

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Polyrhythms
on: July 30, 2015, 03:00:51 AM
Okay we all know that the average joe can do a solid 3 against two and a 4 against 3.  But what about five against 4?  6 against 5?  Or 6 against 7?

I just wanna see what they sound like.  So could someone post a video of Anything that's 5 against 4 or higher? 
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Offline liszt1022

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Re: Polyrhythms
Reply #1 on: July 30, 2015, 03:52:04 AM
This doesn't count as "anything but piano" but have a look- The fun starts around 1:46 and goes until 6:37.

Sorry the colors are inverted. Maybe invert your monitor?
Pianist is Idil Biret.

Offline ted

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Re: Polyrhythms
Reply #2 on: July 30, 2015, 09:59:32 AM
To me at least, the sound of simultaneous, precisely integral multiples of notes loses rhythmic point beyond a certain complexity and speed, the aural result being the same as completely asynchronous runs being played. Two or more truly asynchronous rhythms, i.e. not just note strings, going on simultaneously, on the other hand, can be very exciting, and easier than might be supposed, in improvisation anyway, provided you don't actually think too much about what is going on.
"Mistakes are the portals of discovery." - James Joyce

Offline josh93248

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Re: Polyrhythms
Reply #3 on: August 03, 2015, 05:19:40 PM
I can do 2 into 3 and a reasonable 3 into 4 that I could probably improve but getting much beyond that seems unnecessary. Just make it sound musical and make sure the right notes are before and after the right notes and that's good enough I think.
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Offline schumaniac

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Re: Polyrhythms
Reply #4 on: August 11, 2015, 04:18:17 AM
The end of the first movement of Beethoven 4th (concerto)... I posted a thread asking for help and I didn't get any replies. Well, it is mostly 3 against 4, but there is 3 against 5, 6 against 11, 3 against 7.

Also, Scriabin's music is notorious for its polyrhythms.
If you really want to hear what they sound like, you could put them into a notation program...
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