Melnyk is noted for his continuous music, a piano technique based on extremely rapid notes and complex note-series, usually with the sustain pedal held down to generate overtones and sympathetic resonances. These overtones blend or clash according to harmonic changes. Most of his music is for piano, but he has also composed chamber and orchestral works.
In 1985, Lubomyr Melnyk set two world records, documented on film and with full audio, at the Sigtuna Stiftelsen in Sweden. He sustained speeds of over 19.5 notes per second in each, and played between 13 and 14 notes per second for one full hour.
Nothing has happened with the piano for 300 years – since 1650, nothing....(w)hat Scarlatti was doing, Rachmaninoff and Prokofiev were still doing, 300 years later. ...(f)inally something new has happened in the world of the piano. It's terrible to think I could be the first and the last to do this.
Better than Einaudi LMAO.Jokes aside,the way he's presented is actually much worse than his music. He came to my country a few times, to play in some of the biggest halls with some crazy ticket prices, and even though I still cringe about the video and for those who actually enjoy his music, the problem is about the guy, not the specific technique. Had a piece with say a bel canto melody over or a harmonic progression presented with continuos arpeggiation been written by some minimalist composer -just once though, not a hundred times-, would have the reception been the same? Op. 25-1 or 12 anyone?
"They said i could be and play anything i wanted. So i became a midi file"
Ah, but a midi file could keep going ad infinitum, without tiring. Even a loss as a 'midi file'.
true so true.As for the music, there are better ways to present a barage of notes in a modern setting for piano. Especially when spiced up with ensemble, but piano still shines.Ie
Thanks so much for posting-- this was excellent!