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Pedaling (U.C.) and Baroque
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Topic: Pedaling (U.C.) and Baroque
(Read 2603 times)
sachmaninoff
PS Silver Member
Newbie
Posts: 15
Pedaling (U.C.) and Baroque
on: December 29, 2019, 02:22:18 PM
Hi!
Do you think it's OK to use even Una Corda with Baroque pieces (like Bach Sinfonias) or do you think that we should be using zero pedaling with Baroque?
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Johann Sebastian Bach: Sinfonias
brogers70
PS Silver Member
Sr. Member
Posts: 1756
Re: Pedaling (U.C.) and Baroque
Reply #1 on: December 29, 2019, 02:32:24 PM
Why not? It's a piano. If you want to play a harpsichord, play a harpsichord. Even apart from that, the U.C. pedal could easily be considered sort of like switching manuals on a double manual harpsichord to get a different tone. So don't play Bach as though it were Brahms or Debussy, but don't be afraid to play the piano as a piano.
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j_tour
PS Silver Member
Sr. Member
Posts: 4161
Re: Pedaling (U.C.) and Baroque
Reply #2 on: December 30, 2019, 03:40:52 AM
That's a nice way of putting it, above.
I never even considered the una corda pedal for Bach, but why not?
I admit I find it more refreshing and liberating to play without the sustain pedal — you know, just because so much other music really needs it, it's a nice change of pace. But it's handy to cheat while turning a page or in some tricky bits where you can't spontaneously grow an extra finger or two. Even half-pedalling can do the job. I think of it as an additional trick that can be used very musically.
Hey, it's a piano: if it sounds good, it probably is good.
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