another problem would rise up from the fact that a 40 year old with 35 years of piano and carreer plays for instance the polonaise in Ab major by Chopin Versus a little kid of 6 years old playing Fur Elise.
This isnt a realistic or salient example. In the Leeds Internation Piano competion for example you still get young against old (age 14 up to age 30), and lets face it you are not going to get through the audition at 6 unless you can compete at a higher level than Fur Elise! In addition, the Rubinstein has a minimum age limit of 18 and maximum of 32.
I would suggest a competition anyway, with a minimum age of say 30 (where the others leave off) upwards, and that a rule would be (as I've seen in some amateur festivals) you cannot already be professional (i.e Boris Berezovsky etc.., or already earn a certain of money from performing - people will soon tell the organisers if they know someone is professional already). Its a start!
My gripe (in agreement with DinasourTales) is that mature people have a mature musical mind and ALSO have alot to offer artistically. Audiences much prefer a moving experience (in some way) than a boring flash one. I know people who are not by any means music experts, who know when they like something but dont necessarily know why.
I think the
elite-ism of the serious music platform needs smashing. As we have seen in Pop Idol, the age of the "underdog" here and refreshing. Lets get more education around to the music societies etc. Who today apart from the rich few, can afford not to have a job and have to take time out to even fund their art (lessons, competition fees etc..)
Over to your thoughts......
