I did find the "analysis" interesting and can see how this is immensely beneficial to composition. I'm sure, there are many here, who have learned this analysis and this piece. Can someone please share with me exactly what the analysis did for you?I think I'm just missing something, Joe.
Also, I've read that it supposedly gets easier after the first one. Well, not for me. They all seem quite different and each one presents new difficulties.
I read there are 3 four note motifs, inversions, augmentations, retrograde, sequences, transposition, etc.Questions:1. What exactly is this "knowledge" supposed to do for me?2. Is all this analysis supposed to make it easier to memorize?3. Is this analysis supposed to make it easier for me to read?4. Should it make it easier to learn or learn faster?5. Would it allow me to play full tempo?
Hi all,I'm am learning to "play" Invention #1 in C major. I have dabbled with numbers 4,8 & 13 with varying degrees of success. The best for me was number 4 at full tempo, followed by number 13 at 1/2 tempo and number 8 at a snails pace.Invention number one seems to be a favorite to teach of many teachers.I read there are 3 four note motifs, inversions, augmentations, retrograde, sequences, transposition, etc.Questions:1. What exactly is this "knowledge" supposed to do for me?
2. Is all this analysis supposed to make it easier to memorize?
3. Is this analysis supposed to make it easier for me to read?
4. Should it make it easier to learn or learn faster?
5. Would it allow me to play full tempo?