Sorry you find it boring; I love practicing this etude. I'd say don't let the triplet quarter notes in the LH worry you into trying to get a sort of polyrhythmic feeling between the two hands. I've never heard a performance that brought that out. Instead it's just two notes in the RH for every note in the LH. Do that, and think of each measure as either two or even just one big beat. Don't group the RH in threes, but in sixes or twelves. Another trick to help you hear the alignment better is to shift your piano bench an octave to the right and play everything an octave up (moving the bench means that your arms are in the same position wrt the keyboard as they were in the original octave). It's impressive how much easier it is (for me, anyway) to hear the alignment when everything is an octave higher.
It’s not that boring lol it’s just the whole piece is the same pattern wise. I tried grouping the rh in sextuplets and that definitely helped. My teacher wanted me to start off thinking of them as triplets to make them “more precise” for now. I feel I’m pretty precise though so I’ll start practicing it mainly in sextuplets but later(I feel like crap rn I got my 2nd vaccine this morning and I don’t feel like practicing at all)
Topic: Trouble lining up hands in Chopin op 25 no 2 