Hello. I’m still hoping that others will help you here. In case no one else gets back to you, here are my additional thoughts.
1) Your strengths – You show very good musicality. You have good ability to memorize. You keep a very steady beat. Good early attempts at dynamics.
2) Your piano – Is this a Yamaha N1 Avantgrand? If it is – you can’t do better than this!! The important item is that it has weighted action if it isn’t an Avantgrand. Of course, an Avantgrand has a real piano action and so this is the best by far.
3) Your recording quality – You need to do something major here if you want people to either enjoy or help you with your performance. I know next to nothing here. Maybe you can do some research.
4) Your tone control – This appears to be your biggest issue. In this piece, generally you want and are trying to make each note sound the same volume (loudness maybe I should say) for each note in the half measure, unless you are performing a crescendo or decrescendo, in which case you want controlled changes in volume. You notice that many of your tones randomly come out way too soft or loud. Here are some tone control exercises that I recommend.
Touch and press exercises for tone control:Place your RH fingers on the following notes. C, E, G, C' (C-major chord root position) using fingers 1, 2, 3, 5. Keep your 4th finger close to the keys. Pretend your 1, 2, 3 and 5th fingers are glued to the piano keys. Never lift them off the key. Now play C, C, C, rest, E, E, E, rest, G, G, G, rest, C', C', C', rest as quarter notes. FINISH by playing as an arpeggio: C, E, G, C', C, E, G, C',C as 16th notes where C' is an octave higher than C, using the touch and press technique on ALL notes.
Finger movement comes from the large knuckles closest to the wrist.. Make sure each tone is controlled and the same volume as the other notes. Start by playing all notes softly, then play again, this time all notes Mezzo Piano. Then all notes Mezzo Forte, finally all notes Forte. All notes a perfect pearl and at the same volume.
Now place your RH fingers on the following notes. C, E, A, C' (A-minor chord first inversion) using fingers 1, 2, 4, 5. Keep your 3rd finger close to the keys. Pretend your 1, 2, 4 and 5th fingers are glued to the piano keys. Never lift them off the key. Now play C, C, C, rest, E, E, E, rest, A, A, A, rest, C', C', C', rest as quarter notes. FINISH by playing as an arpeggio.......
When you get really good: Now place your RH fingers on the following notes. C, E, G, A, C (C 6th chord root position) using fingers 1, 2, 3, 4, 5. Pretend your 1, 2, 3, 4 and 5th fingers are glued to the piano keys. Never lift them off the key. Now play C, C, C, rest, E, E, E, rest, G, G, G, rest, A, A, A, rest, C, C, C, rest as quarter notes.
Repeat this many times over the next few weeks. You might as well and should repeat this in the LH also! - but use notes C, E, F, A, C'
Use the touch and press technique when you play this piece. Keep that RH pinky glued to the key! 
Also, if you want for extra practice, play this piece as block chords. Use the exact fingering as you do when playing the Bach piece as written. But play all the LH and RH notes together at the same time as a block chord. Make sure each chord has perfectly balanced tones. Each tone should be the same loudness in the chord with possible slight emphasis in the highest tone. Each chord a string of perfect pearls. You will need to develop your ear to do this. With your hands held slightly above the notes in the chord, allow your arm weight to drop onto the keyboard with a loose, flexible feeling in your wrists.
5) Pedaling – Your sustain pedaling may be good as you are doing. I can’t tell by hearing. Sounds like from what you describe and what I hear: You play the C and E of left without pedal then press the pedal when you play the first G of the RH and then release after the 2nd E is played in the RH – referring to the first ½ measure of the piece. Some will tell you to not use pedal with Bach. I think you are fine to pedal like this FOR THIS PIECE. 2 points: 1) Still keep your LH thumb down as notated by Bach, 2) Also practice this piece a little without pedal to give you practice, but perform it with pedal.
6) Online tutorials – are there any good ones for this piece? I’ll let you look or maybe others can help you here.
7) Lessons – Consider taking lessons when you feel comfortable with covid.
Good luck!

Finished 7:20 PM EST 2/23/22.