Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Hot topics:
What repertoire did you study in 2024?
Book Recommendation on Improvising
How do you bring out the subjects in a Bach fugue?
What do you play for pure enjoyment?
Home
Help
Search
Piano Forum
»
Piano Board
»
Repertoire
»
Struggles with Scriabin Op. 16 No. 4
Print
Pages: [
1
]
Go Down
Topic: Struggles with Scriabin Op. 16 No. 4
(Read 755 times)
rtheunissen
PS Silver Member
Jr. Member
Posts: 48
Struggles with Scriabin Op. 16 No. 4
on: June 08, 2023, 08:08:34 AM
Hello everybody,
A couple of days ago, I started learning this amazing short but very touching prelude by Scriabin. I want to do the piece justice and play it right. However, I'm struggling a bit with bars 7 and 8. The rhythm there is quite tricky. How can I best practice/play this to make it make more sense?
Also a quick side question, I assume that the 'dotted triplets' (or whatever their official name is) all throughout this piece aren't meant to be played very strictly, right?
Thanks in advance!
Logged
Scriabin: Prelude Op. 16 No. 4 in E-flat Minor
Sign up for a Piano Street membership to download this piano score.
Sign up for FREE! >>
lelle
PS Gold Member
Sr. Member
Posts: 2442
Re: Struggles with Scriabin Op. 16 No. 4
Reply #1 on: June 08, 2023, 10:41:48 PM
I would agree they are not to be played strictly in time, but with natural elasticity, like most good, romantic phrases. That said, you should still play the rhythm as written, but not like a machine.
Can you clarify in more detail what you are struggling with? Think of the 'dotted triplets' as exactly that - they are unmarked eighth note triplets, except the 2nd eigth note has been lengthened by a dot, and the second shortened accordingly. First step to help you could possibly be to practice these "dotted triplets" as normal triplets, and see if you can but that together with the other voices. Do this practicing in quite a strict tempo so that you can mather your control over the rhythm. You'll get 2 against 3 in bar 7, and a triplet against a dotted rhtyhm in bar 8. Then see if you can convert it back into a "dotted triplet".
Logged
Sign-up to post reply
Print
Pages: [
1
]
Go Up