Piano Forum

Thank you all for your suggestions so far.

Yeah, I can see how the program might seem unbalanced and not 100% Halloween. To lighten the first half I am considering not learning the Bach/Busoni Fugue and sticking only to the Toccata - the Fugue is 7+mins long and can seem ... repetitive and perhaps meandering ... at least in comparison to the punchy Toccata. The pieces happen to be ordered generally chronologically, which certainly is not required but seemed to make sense overall to me. But yes, such a light latter half of program could risk the audience falling asleep!

For the Chopin, agreed that the third movement could be sufficient, but I love the idea of combining it with the finale, especially considering as a program note that Rubinstein referred to the finale as "wind howling around the gravestones". Spooky and depressing imagery especially thinking about its placement in the overall sonata. But this movement is really tough!

The Rachmaninoff could certainly be removed; I read somewhere there was a rumor that Rachmaninoff was inspired by a vision in which he saw himself in a casket, but this story might be aprocryphal.

I *love* the Prokofiev Vision Fugitives - to me this one paints the picture of someone slowly losing sense of their reality, like in an insane asylum. Combining this with Suggestion Diabolique actually makes for a lovely 20th century companion to the Schubert/Liszt Doppelganger & Erlkonig pairing - the first of each pair about the experience of a supernatural or psychotic break, the second about a dramatic chase scene with an evil entity.

The Satie is a wonderfully creepy piece that evokes mysticism and the occult - another side of Halloween. But could be removed because it is such a light piece and doesn't add a ton to the overall program.

And, the Debussy is not *Halloween* per se but gorgeously autumnal in its depictions of eerie fog and dying leaves in the forest. I love these pieces and find them to be so quietly creepy and unsettling, and programming quiet pieces before the big finale is always dramatic.

Le Gibet and Scarbo are such incredible pieces to me, thus I personally prefer setting them as the final, truly terrifying capstone to the program, but can see the point re: switching with Danse Macabre. And Ondine is beautiful but SO difficult... I know the story regards a mermaid, but it sounds more to me like music from an alien spaceship emerging from the ocean depths (think The Abyss...).

As for the other suggestions, the Schubert first and last movements are certainly creepy, and Ravel Noctuelles is an interesting piece, but there is plenty of Schubert and Ravel already! The Ginzburg arrangement of the Grieg is really fantastic - I did not know about this! Could be a fun encore. The Alkan is cute, too. Liszt solo Totentanz is out of the question for me, haha. The Janacek is a pretty interesting piece, but so cheerful in the majority of sections that it could seem out of place. Finally, I apologize, but I do not really *get* late Scriabin at all, never have. Same for the Lyapunov. Maybe someday it will click for me.

Again, much of this is wishful thinking - maybe I will have the program ready in 5 years!

Any other suggestions?