In the measure 39, the main three-note motif is introduced in the left hand (transposed to E-flat major: Eb, G, D), however, the third note (D), which is generally longer (dotted quarter) and marked sforzando, this time is broken into two eighth notes, with the second one being marked sforzando (and not the first). Compared to the other appearances of this motif, it would've been logical if these two eighth notes were substituted with a quarter note (which is connected to the next beat with a slur).
The measure in question:
https://ibb.co/3cKsdbP
Is there a thematic/structural reason for this deviation, or did Beethoven just write it on a whim?