Piano Forum

Piano Street Magazine:
A Sudden Chat with Paul Lewis about Beethoven & Schubert

Substituting for the suddenly indisposed Janine Jensen, pianist Paul Lewis shares his ideas on his global Schubert project, classical repertoire focus and views on titans Beethoven vs. Schubert. Read more

Topic: Teachers, do you give your students theory/reading-writing worksheets?  (Read 4170 times)

Offline klavieronin

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 892
Just curious to know if other teachers give their students theory/reading-writing worksheets. I haven't much in the past because most of my students had no interest but I did use theory workbooks when I was learning and I always thought doing those exercises were very valuable.

Offline dizzyfingers

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 447
Just curious to know if other teachers give their students theory/reading-writing worksheets. I haven't much in the past because most of my students had no interest but I did use theory workbooks when I was learning and I always thought doing those exercises were very valuable.

"Theory" is a broad term.  Learning the cycle of 5ths, all the keys, how the major and minor scales are put together, the common cadences, are basic and I do teach them.  I also ask students about what harmonies are showing up in their pieces, though I don't ask for a complete analysis of the piece.  Some students show interest in this, some don't.

What theory workbooks did you have?

Offline keypeg

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 3949
Just curious to know if other teachers give their students theory/reading-writing worksheets.
I like the idea of theory, but I don't like the idea of worksheets in and of themselves.

Theory is how music works, and should be ongoing and practical first.  The first time a student plays a piece with one sharp and it's in G major or E minor, that's theory.    That D7 to G, or B7 to Em where you feel it finishing, (cadence) is theory.  Your time signature, rhythms, note values, are theory.  I'd want to see that pointed out, and maybe some kind of written work derived from that appearing later on.

Worksheets and written work can become an abstract thing divorced from music.  You want a connection to the music.  That can be a brief mention of such things in every lesson.

Offline klavieronin

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 892
What theory workbooks did you have?

When I was a young student I worked through the Dulcie Holland: Master Your Theory books. I always felt that I got a lot out of them that I don't think I'd have gotten if I'd only played music. I didn't like all the exercises - especially the melody writing exercises since there was no clear answer which I always found really confusing for some reason - but on the whole I enjoyed them and found they reinforced what I was doing at the piano.
For more information about this topic, click search below!

Piano Street Magazine:
Italian Focus at Cremona Musica Piano Experience

At the end of September, the annual Cremona Musica exhibition – a significant global event – took place, offering new insights into the music industry. As a member of the Media Lounge, Piano Street is again pleased to provide a pianistic perspective on key events. Read more
 

Logo light pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts.

Subscribe for unlimited access

Sign up

Follow us

Piano Street Digicert
Customer Reviews