Uh yeah I hope you people realize that because of the tuning system for the piano (equal temperament), all keys are actually exactly the same. Since the chromatic scale divides an octave into twelve equal-ratio steps, the frequency ratio between adjacent notes is 21/12. All intervals are equally spaced. For example, a C major chord is the exact same thing as a D major chord, its just that in a D major chord, everything is brought up a whole step (or down a seventh), its not like the intervals change, or the sound gets any "brighter" or "darker."
Thus, the conclusion is, there are passages that is PIANISTIC for one key but UNPIANISTIC for the other. (We say "pianistic" to mean how EXECUTABLE a passage is as far as FINGERING is concerned.) This is primarily the reason why often you will notice SIMILAR passages among pieces having SAME key signature (even if they are of different compsoer).
If you want to prove your point, tel me wheather the attachment is C# Major or Db major.
Hahha no, same here.I think it's bull imo (for the piano, possibly not for ensemble): there are two reasons you use different keys: pitch and technicality.I can't beleive C# is somehow "darker" or "moodier" than C or whatever. They'r ejust a half tone apart, and the piano is an equally-tempered insturment, hence the distances between the pitches are exactly the same. Same frequency ratio, why different moods and feeling?I think it's just about what pieces we are used to hearing in specific keys.
What's wrong with ab minor?
I fail to understand how you can have a "Favourite Key", there is none in particular that I really class as a "favourite".G.W.K
Hmm so I'm the only one to go for g minor? Hmm somehow that key makes me feel... nostalgic.. and sad too. But I like it anyway =)