I wanted to learn, for a change, a show off piece (we need them too), with technical brilliance, exuberant mood, but not overwhelming difficulty (so refrain yourself from suggesting horrible things such as Prokovieff toccata or things like that, Idon'e want to spend 2 years learning it).I was hesitating between Liszt transcription of Gounod waltz from the Faust opera, and his Spanish rhapsody. Which one is easier ? Any other idea ? How about Debussy L'Isle Joyeuse ? How hard is it ?
K27 (in C# minor - very lyrical with lots of crossing hands – Michelangelo plays it on the Art of the Piano video) It's in B minor
Quite,
And of course the Glamdring toccata in A-flat minor...
chopin etude op.12 no.1chopin etude op.12 no.12chopin etude op.25 no.12you play those well and see who's not shown off.
If your looking for something much easier to learn really fast, debussy's "jardins sous la pluie" has a really good ratio of showiness per difficulty!
Bach’s Giga from Partita no. 1 in Bb
some of the pictures (mussorgski)
no, really - khatchaturian toccata isn't difficult at all, it's just a show off that couldn't impress anyone but amateurs.
Oh really? I heard a quite impressive performance of it. Does that make me an amateur? And only really difficult pieces would impress a professional? It is not so much the difficulty that makes a piece. A piece that is technically not hard can still be impressive, depending on the performing pianist of course.
Well said! Who was playing the performance you heard? ,Ed
I am intrigued to know who this could possibly be!Ed
And while you're at it you could play half a Rachmaninov prelude ,Ed
try at least reading the pictures (i suppose you never played the work, since you make this kind of compares)- you'll see for yourself why most of them aren't at all like "half a Rachmaninov prelude...
you were talking about show-off piexe, right? of course i would be much more impressed by a well-played scarlatti sonata (or by a mozart sonata, or by - hardly ever- even fur elise) then by khatchaturian's toccata. but if you're talking about show-off pieces, i don't think the toccata qualifies. yes, i do think that if you want to impress professionists with your technique (for that's all about show-off - in case my english is good enough to understand you correctly), the work has to be difficult.
You obviously didn't understand me. I have played Pictures at an Exhibition - my comment was referring to the fact that you would play a picture on its own. To me this would be about as ridiculous as playing half a Rachmaninov prelude,Ed
it seems that the genereal preference goes to samuel goldberg und schmuyle