Music Theory Books

[RiskyP]

Hi, I have been reading a listing of common chord structures, their abstract symbols, and the intervalic relationship between the notes. I really enjoy it and would like to become familiar with more chords, but my literature is limited.

Is there any book out there that is not complicated, but has harmony/chord theory. I am looking preferably for a book that simply lists the chords, their abstract symbols, and how to construct them. But it shouldn't be basics such as triads and seventh chords, but rather more extended chords such as 9th, 11th, 13th...etc. Thanks.

[RiskyP]

So no teacher here has read a single music theory book on harmony? You all have got to be kidding...

[pskim]

check your local music store or the library.  not all of us has the answer.

[hpickett]

Hi,
Well I can certainly help as I am familiar with most historical and standard texts.
I assume this is for self study, so my recommendation would be 'Harmony' by Koska and Payne + CD
If you really want the inside scoop and are motivated, try Aldwell and Schachter 'Harmony and Voice leading'
As an alternate Robert Gauldin new edition of 'Harmonic practice in Tonal Music' is excellent.
The last two texts are college level recommendations.
You can email me off list with any questions.
Best
Harry Pickett
hjpickett@cablenet-va.com

[RiskyP]

Thank you very much hpickett! I will get these books from the music library here. You are correct, this is for self-study. I am not a music major (far from it really) but I am very motivated to look into this topic. Thank you for the offer, if I have a question I will make sure to email you.

[hpickett]

Glad to help!
Once you are familiar with intervals and chords it would be beneficial for you to study counterpoint.
Counterpoint is what makes music work, the chords are just the vertical reslts of countrapuntal writing(simplistic I know).
Musicians are concerned about how chords are connected. Harmony is of particular importance when it comes to the structure of a composition. Great pianists shape the structure of a composition for you,  bringing layers of meaning to a composition. If you have heard John Ogden, Willhelm Kempff or Schnabel play, they exemplified this approach. The above are musicians not just pianists.
Lastly, trydoing your own analysis of easy pieces say by Telemann and C.P.E Bach, play through them first without knowing anything about the structure of the piece then play them when you are informed, let me know how it goes
Best
Harry

[RiskyP]

Dear Harry,

You hit the nail on the head! This is precisely why I would like to read these books.      

[reinvent]

Tonal Harmony by Kosta and Payne is very popular for colleges.  But in my opinion, it complicates the smallest concepts with long words.
I would get something more friendly like Keyboard Wisdom from Melbay.