Murray Perahia has spent a lot of time with Beethoven throughout his long and successful career. Still, it was only when he passed the 70-year mark that he felt ready to perform and record the “Hammerklavier” — a sonata which is something of the ultimate test of a pianist’s technique, stamina, and musical understanding.
An Unsentimental but Still Expressive Experience
In his recently released album, Perahia couples the Hammerklavier Sonata, op 106 with the Moonlight Sonata, op 27 no 2; the juxtaposition of these two very contrasting works seems to highlight just how limitless and groundbreaking Beethoven was as a composer for the piano. Add Perahia’s unsentimental yet expressive playing, and suddenly even the old Moonlight turns into something of a new experience.
“… his insights into the motivations behind the ‘Moonlight’ Sonata are absolutely remarkable. Here we find an Aeolian harp – or what Beethoven’s idea of one may have been – and some imaginative associations with nothing less than Romeo and Juliet.” — Jessica Duchen
A Fast and Thrilling Ride
The Hammerklavier can feel like an overwhelming structure to get lost in, but here it’s a thrilling ride, sweeping you along. Perahia’s tempos are fast, but the music never feels hurried, thanks to his faultless technique and tasteful rubato. The slow movement has calm, tenderness and poise but it never loses its sense of direction. The sound is warm, rich and resonant without obscuring the impressive clarity of articulation — just listen to the concluding fugue, which is a real feat of transparency.
Doubtless, it’s been worth the wait to hear Perahia in this repertoire!
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Recording: Berlin, Funkhaus Nalepastraße, Saal 1, 11/2016 (op. 106) & 7/2017 (op. 27 no. 2)
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