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Master Class with Leon Fleisher: The Late Schubert Sonatas

Filmed during a Professional Training Workshop in New York, Franz Schubert‘s late piano sonatas come to life in this performance guide that includes video clips, written commentary, and an animated score, allowing the user to simultaneously watch Mr. Fleisher teach from the keyboard and study the notated music. Select any combination of 24 separate video clips from six categories to build your own tailor-made video master class from a range of topics.

Watch the Master class online at:
http://performanceguides.carnegiehall.org/schubert/

Sheet music to download and print of Shubert’s Piano Sonatas


/patrick
 
     

Academy Award Nominee: The Documentary “TWO HANDS – The Leon Fleisher Story”

In December 2007 American pianist Leon Fleisher reached a high point in a remarkable career when he was awarded a Kennedy Center Honor in Washington, D.C.
A child prodigy, Fleisher began studying the piano at age four, gave his first public recital at eight, and at nine was taken under the wing of the legendary Austrian pianist and teacher Artur Schnabel. Fleisher made his debut at Carnegie Hall with the New York Philharmonic under Pierre Monteux in 1944, and he ensured his place among the top pianists of the day when he won Belgium’s Queen Elisabeth International Piano Competition in 1952. Thereafter, he was much in demand by orchestras, concert promoters, and record companies. Especially notable was his series of concerts and recordings featuring the concertos of Mozart, Beethoven, and Brahms with George Szell and the Cleveland Orchestra.

In early 1965 Fleisher began suffering from a malfunction of his right hand: the ring and little fingers curled uncontrollably to his palm. The problem was diagnosed in 1991 as focal dystonia, a condition related to repetitive-stress syndrome, which not infrequently affects musicians. Undaunted, Fleisher focused his energies on teaching and conducting. Eventually Fleisher began performing left-hand pieces for piano. (A number of such works—including compositions by Maurice Ravel, Sergey Prokofiev, Benjamin Britten, and Paul Hindemith—were written for Paul Wittgenstein, a gifted pianist who lost his right arm in World War I.) In addition, Fleisher commissioned or inspired new works from William Bolcom, Lukas Foss, Gunter Schuller, and several other notable composers. During his years of affliction, Fleisher sought relief in numerous treatments, including brain surgery; in the mid-1990s he discovered that occasional injections of Botox (botulinum toxin used as a muscle relaxant) combined with Rolfing (a type of massage therapy) ameliorated the condition. Fleisher returned to two-hand performance in 1995; his right hand steadily improved, although he did not abandon the left-hand repertoire. In 2004 he played a triumphant return recital at Carnegie Hall, and he made his first solo two-hand recording since the 1960s. A short documentary film by Nathaniel Kahn about Fleisher’s persistence, Two Hands, was nominated for a 2007 Academy Award.

Leon at the BSO, Shoot Day 3
(Leon Fleisher playing “Jesu, Joy of Man’s Desiring”)


/patrick
 
     



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