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Alexander Scriabin: Sonatas

The first three of Scriabin’s ten published sonatas are in a Romantic style, reminiscent of Chopin and Liszt, but undoubtedly with Scriabin´s unique voice present from the beginning.
The brief Fourth Sonata marks an important transition for the composer: musically, he was moving ever closer toward atonality, while his personal life was marked by the deepening complexity of his theosophical ponderings.
Beginning with the fifth, Scriabin´s sonatas have no key signature and consist of only a single movement. The Seventh Sonata, Scriabin’s own favourite and nicknamed “The White Mass”, stands on the threshold of serialism.
With the ninth, so-called "Black Mass Sonata", Scriabin’s journey to his own particular brand of atonality is complete. The violence and menacing harmonies of this sonata, whose colourful subtitle is the composer´s own, are said to have shocked and frightened even the composer himself.

Sheet Music Downloads:

Title	AST	Key	Composed	Type	Level
Sonata 1 Op. 6		F Minor	1893	Sonata	8+
Sonata 2 Op. 19		G-sharp Minor	1897	Sonata	8+
Sonata 3 Op. 23		F-sharp Minor	1897	Sonata	8+
Sonata 4 Op. 30		F-sharp Major	1903	Sonata	8+
Sonata 5 Op. 53		n/a	1907	Sonata	8+
Sonata 6 Op. 62		n/a	1912	Sonata	8+
Sonata 7 ("White Mass") Op. 64		n/a	1912	Sonata	8+
Sonata 8 Op. 66		n/a	1913	Sonata	8+
Sonata 9 (Black Mass) Op. 68		n/a	1913	Sonata	8+
Sonata 10 Op. 70		n/a	1913	Sonata	8+