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Alexander Scriabin: Sonatas
The first three of Scriabin’s ten published sonatas are in a Romantic style, reminiscent of Chopin and Liszt, but undoubtedly with Scriabin´s unique voice present from the beginning.
The brief Fourth Sonata marks an important transition for the composer: musically, he was moving ever closer toward atonality, while his personal life was marked by the deepening complexity of his theosophical ponderings.
Beginning with the fifth, Scriabin´s sonatas have no key signature and consist of only a single movement. The Seventh Sonata, Scriabin’s own favourite and nicknamed “The White Mass”, stands on the threshold of serialism.
With the ninth, so-called "Black Mass Sonata", Scriabin’s journey to his own particular brand of atonality is complete. The violence and menacing harmonies of this sonata, whose colourful subtitle is the composer´s own, are said to have shocked and frightened even the composer himself.
Sheet Music Downloads:
Title | AST | Key | Composed | Type | Level |
---|---|---|---|---|---|
Sonata 1 Op. 6 | ![]() | F Minor | 1893 | Sonata | 8+ |
Sonata 2 Op. 19 | ![]() | G-sharp Minor | 1897 | Sonata | 8+ |
Sonata 3 Op. 23 | ![]() | F-sharp Minor | 1897 | Sonata | 8+ |
Sonata 4 Op. 30 | ![]() | F-sharp Major | 1903 | Sonata | 8+ |
Sonata 5 Op. 53 | ![]() | N/A | 1907 | Sonata | 8+ |
Sonata 6 Op. 62 | ![]() | N/A | 1912 | Sonata | 8+ |
Sonata 7 ("White Mass") Op. 64 | ![]() | N/A | 1912 | Sonata | 8+ |
Sonata 8 Op. 66 | ![]() | N/A | 1913 | Sonata | 8+ |
Sonata 9 (Black Mass) Op. 68 | ![]() | N/A | 1913 | Sonata | 8+ |
Sonata 10 Op. 70 | ![]() | N/A | 1913 | Sonata | 8+ |