I agree with you. Once a pianist has shown respect for the score, it's ok for personality to show through the music, which individualizes the interpretation. The role of the pianist is not to just recreate the work, but rather to co-create it with the composer. It's part of "putting a piece over" to an audience really. I'm going to try for another version that incorporates the corrections I made, but which also recaptures the exuberance and ecstacy as well. Yes, the Impromptu "Eros" is a difficult piece. But when I first heard it, I couldn't resist learning it. Sometimes inspiration and motivation can overcome not having a big piano technique, as was the case here. Also, the more you listen to this piece, the more you'll like it. It never wears thin. I discovered after recording "Eros" that my microphone configuration was wrong--a dumb mistake on my part. The two electric condenser mics close to the piano should have been cartioid mics and the one further back in the room (for ambiance) should have been the omni-directional mic. I guess without my reading glasses on, I misread the symbols on the mic capsules and had one cartioid and the omni-directional up front and the other cartioid behind them. Oh well... the sound is still pretty good considering. Once again, this proves the difficulty of being pianist, recording engineer and page turner all in one.