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Topic: Does anyone not like Chopin?  (Read 11654 times)

Offline nomis

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Re: Does anyone not like Chopin?
Reply #50 on: June 27, 2005, 05:10:55 PM
None of us said we were Chopin specialists!

None of us said we weren't.  ;)

As for Chopin's works, it seems to me that only the superficial side seems to come across in his music, such as emotions, technique etc. but frequently, if you dig a little deeper there's much more there than meets the eye.

As for Chopin having boring melodies, I'd say Beethoven's a few notches down in the melody department.

Offline arpeggiosnake

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Re: Does anyone not like Chopin?
Reply #51 on: June 27, 2005, 05:54:15 PM
Although he didnt compose orchestal works, Chopin is very famous not only for the beauty of his compositions. He was the first composer- pianist that did not only write sonatas. Too much variety you know.

Also he did change the meaning of the terms "Prelude" and "Etude", however i agree with the guy who began this topic, give me a piano piece by Schubert any day. 
"The piano is a monster that screams when you touch its teeth."

--Andre Segovia--

Offline Baohui

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Re: Does anyone not like Chopin?
Reply #52 on: June 27, 2005, 08:50:29 PM
He was the first composer- pianist that did not only write sonatas. Too much variety you know.

So you believe that every composer for piano before him only wrote sonatas? ???

give me a piano piece by Schubert any day.

Why? I can understand you having a personal preferance, but I'd like to understand your reasons.
For more information about this topic, click search below!

Piano Street Magazine:
Women and the Chopin Competition: Breaking Barriers in Classical Music

The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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