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Topic: Difficulty Levels  (Read 1596 times)

Offline kelly_kelly

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Difficulty Levels
on: June 27, 2005, 07:32:16 PM
Hi! I was wondering about the difficulty of some pieces that I like. How would you rate these pieces on a scale of 1-10, if Fantasie-Impromptu is a 5? (Keep in mind that I'm not actually planning to play most of these, I'm just curious.)

Chopin: Etudes 25/1, 25/2

Liszt: La Campanella

Mendelssohn: PC 1 (1st or 3rd mvt)

Grieg: PC in A Minor (1st mvt)

Thanks in advance!
It all happens on Discworld, where greed and ignorance influence human behavior... and perfectly ordinary people occasionally act like raving idiots.

A world, in short, totally unlike our own.

Offline pseudopianist

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Re: Difficulty Levels
Reply #1 on: June 27, 2005, 08:15:39 PM
I think it should be like this:

Op25/1 is 5
Op25/2 is a 5
La campanella 9
Mendelsohn, I have no idea
Grieg 10
Whisky and Messiaen

Offline keys

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Re: Difficulty Levels
Reply #2 on: June 27, 2005, 10:33:57 PM
None of those pieces are a ten! The Chopin Etudes are the easiest of the set, around the same difficulty as the FI. I would put the Grieg next, followed by La Campanella.  If you told me that you could play the Fantasy Impromptu without any trouble, I’d see no problem with learning La Campanellla next. The Grieg is difficult but manageable, and you have the orchestra to cover you if you mess it up.

Offline guru_of_time

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Re: Difficulty Levels
Reply #3 on: June 28, 2005, 04:07:10 AM
The Grieg is difficult but manageable, and you have the orchestra to cover you if you mess it up.
That's probably not a good way to look at a concerto lol :o

Offline pseudopianist

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Re: Difficulty Levels
Reply #4 on: June 28, 2005, 03:19:09 PM
I know that none of the pieces are a teen but since Fantasy Impromptu is a 5 the other pieces would all be like 6 ^^
Whisky and Messiaen

Offline keys

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Re: Difficulty Levels
Reply #5 on: June 28, 2005, 03:56:19 PM
That's probably not a good way to look at a concerto lol :o

You're right, you definitely don't want to go into a concerto thinking " Well I'm not able to play that section... I'll just ask the orchestra to play louder." But it is true that the orchestra is capable of covering many shortcomings.

It seems that young pianists find concerto's intimidating, but they shouldn't! A lot of mediocre pianists sound brilliant if you give them a concerto to play. The orchestra gives them the extra rhythmic drive that they need.

You said in your first post kelly_kelly, that you aren't planning to play most of these pieces; but if you were, the Mendelssohn and the Grieg are both excellent concertos and are at about the right level of difficulty.

Offline gorbee natcase

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Re: Difficulty Levels
Reply #6 on: June 28, 2005, 05:14:19 PM
 now we Just want to know what the tens are (with a reason)
(\_/)
(O.o)
(> <)      What ever Bernhard said

Offline kelly_kelly

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Re: Difficulty Levels
Reply #7 on: June 29, 2005, 05:37:14 PM
Thanks for your input. It's interesting, I always thought of the Grieg concerto and La Campanella as being pieces that I would play "someday". I guess they overwhelm me because I'm 12. However, I might attempt the Mendelssohn, if I can find the music (preferably free). Do you know where I could find it?
It all happens on Discworld, where greed and ignorance influence human behavior... and perfectly ordinary people occasionally act like raving idiots.

A world, in short, totally unlike our own.
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