He's much in th enews these days because he gave some lectures in England to a huge number of people, complaining about the effect of Muzak on our lives and culture, and also because he is about to retire from his Chicago Symphony post after 15 years.
Barenboim is often criticized for doing too much at unequal levels of achievement. I would agree with this criticism!
I don't like his WTC recording at all, because I think if one wants to take a more "Romantic" approach, it is better to follow the subtly of an Edwin Fischer, rather than trying to make big grandiose statements, which in my opinion are just suffocating the music. Also his phrasing sometimes is just stupid (see b minor fugue WTC I).
The Beethoven recordings I didn't like at all, I heard them a while ago but I remember them as being overpedalled and blurry, maybe it was just the recording techniques. But I went to see a live concert of his in Carnegie Hall during the time of his Beethoven sonata seminars, and the A-flat sonata op.110 was really great, i won't forget it. Unfortunately the other two sonatas on the program were just a mess, I mean I don't think he practiced them at all. Once again Barenboim spraeds himself too thin.
Walter Ramsey