Piano Forum

Topic: Ligeti Etude #15  (Read 1210 times)

Offline pies

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 1467
Ligeti Etude #15
on: October 29, 2005, 03:33:48 AM
Wow. So beautiful.  I want to learn this so bad.
I think this is my favorite of Ligeti's etudes.

Offline mikey6

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 1406
Re: Ligeti Etude #15
Reply #1 on: October 29, 2005, 05:31:14 AM
I was thinking of buying these.  Is the recording of the guy that premiered them on CD (can't remember his name sorry) good?
Never look at the trombones. You'll only encourage them.
Richard Strauss

Offline pies

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 1467
Re: Ligeti Etude #15
Reply #2 on: October 29, 2005, 04:09:20 PM
I was thinking of buying these.  Is the recording of the guy that premiered them on CD (can't remember his name sorry) good?
Pierre Laurent Aimard. It's safe to say that he's the 'official' interpreter of Ligeti's piano works, since most of his recordings are approved by Ligeti. So I'd say he's pretty good.  ;)

Offline odsum25

  • PS Silver Member
  • Jr. Member
  • ***
  • Posts: 79
Re: Ligeti Etude #15
Reply #3 on: October 30, 2005, 08:41:53 AM
Aimard could be considered the 'official interpreter' of several other composers as well. (Boulez, Messaien, etc) and is wonderful in all repertoire really. I heard his recital   at Carnegie Hall last week and all of it was wonderful. His Debussy was beautifully phrased and colored. The Boulez 1st Sonata was played with both brutality and a sense of elegance. Aimard holds such control over complex modern scores that everything just seems so perfectly proportioned and listenable. I did not expect much out of his Schumann Carnaval, but it was really wonderful and made me think about the piece very deeply. And who else could pull off as an encore, 4 of Boulez' Notations and get a great ovation? Letting us go peacefully with La fille avec cheveux de lin, brought gasps all over the hall of 'beautiful' at its conclusion. Aimard is truly a great artist, excelling in a very wide range of repertoire. I've also heard him do Carter and Ives live last year at Zankel Hall, which was one of the most memorable concert events I have ever been to.
For more information about this topic, click search below!

Piano Street Magazine:
When Practice Stagnates – Breaking the Performance Ceiling: Robotic Training for Pianists

“Practice makes perfect” is a common mantra for any pianist, but we all know it’s an oversimplification. While practice often leads to improvement, true perfection is elusive. But according to recent research, a robotic exoskeleton hand could help pianists improve their speed of performing difficult pianistic patterns, by overcoming the well-known “ceiling effect”. Read more
 

Logo light pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts.

Subscribe for unlimited access

Sign up

Follow us

Piano Street Digicert