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Topic: speed of practice  (Read 2114 times)

Offline liszmaninopin

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speed of practice
on: September 04, 2003, 04:14:01 AM
In the past I have generally practiced hands separately and then combined them. I have heard two theories regarding how to practice.  One says to practice slowly, hands together, being extremely careful of accuracy, and then just bring it up to speed.  What I have usually done is to play hands separately at speed, breaking up the music into smaller pieces.  This works, but I am wondering if slow practice might help.  How useful is slow practice? (especially for longer pieces, like major sonatas of concertos)

NetherMagic

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Re: speed of practice
Reply #1 on: September 04, 2003, 07:54:17 AM
liszmaninopin are you self studying or do you have a teacher?  Slow practice helps you clean up your music from a bit to a lot depending on how smudged up your music was before.  Well I'm really tired right now, so I'll just end it with slow practice helps with clarity.

Offline eddie92099

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Re: speed of practice
Reply #2 on: September 04, 2003, 07:06:05 PM
However, don't make the mistake of playing slowly with articulation that would be impossible at the actual speed,
Ed

Offline BoliverAllmon

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Re: speed of practice
Reply #3 on: September 05, 2003, 06:22:42 PM
Slow practice can help clean up everything and improve accuracy. How much it helps depends on the person.

boliver

Offline BoliverAllmon

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Re: speed of practice
Reply #4 on: September 05, 2003, 06:24:33 PM
I forgot this. One of the greatest things about practicing slow with a metronome is it builds mental stamina. It will help keep you focused during performance.

boliver

Offline thracozaag

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Re: speed of practice
Reply #5 on: September 05, 2003, 06:31:08 PM
Quote
In the past I have generally practiced hands separately and then combined them. I have heard two theories regarding how to practice.  One says to practice slowly, hands together, being extremely careful of accuracy, and then just bring it up to speed.  What I have usually done is to play hands separately at speed, breaking up the music into smaller pieces.  This works, but I am wondering if slow practice might help.  How useful is slow practice? (especially for longer pieces, like major sonatas of concertos)


 Slow practice is only useful for sound production issues and memorization, somewhat.
"We have to reach a certain level before we realize how small we are."--Georges Cziffra

Offline meiting

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Re: speed of practice
Reply #6 on: September 07, 2003, 08:45:32 PM
NOT FAST ENOUGH! lol.. :)
Living for music is a sad state. Living to play music is not.

Offline minimozart007

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Re: speed of practice
Reply #7 on: January 11, 2005, 03:04:22 AM
Practice at a speed at which you can play musically
You need more than a piano, two hands and a brain to play music.  You also need hot sauce.

Offline pianobabe56

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Re: speed of practice
Reply #8 on: January 11, 2005, 03:10:36 AM
As a general rule, I practice at two speeds- up to tempo (or at least the tempo that I can currently play it correctly at), and at 75% of that speed. I usually practice two times at the 75% speed for every one time I play up to speed, at least. For me, it helps with clarity, but it also helps me with evenness in touch, and the correct touch- for instance- after I play a staccato section a couple times at the slower tempo, my staccatos are much lighter and cleaner the next time that I play them up to speed.
A bird can soar because he takes himself lightly.
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