Prokofiev no. 2Prokofiev no. 3Prokofiev no. 1Prokofiev no. 4Prokofiev no. 5Prokofiev no. 6 *Prokofiev no. 7 *Prokofiev no. 8 *Prokofiev no. 9 *Prokofiev no. 10 ** hypothetical, since they could possibly have been written if he lived longer
Beacause I'm about to... 10. Rach 29. Tchaikovsky 18. Grieg A minor7. Mozart 276. Bach D minor5. Chopin 24. Scriabin3. Rach 32. Mozart 201. Chopin 1Phil
1) Brahms 22) Brahms Violin 3) Berg Violin4) Rachmaninov Paganini Variations5) Bartok 3 6) Elgar Cello7) Ravel G Major Beethoven 49) Mozart Clarinet10) Mendelssohn Violin
I don't know the Berg VC -- perhaps I should check it out!
The Berg Violin Concerto is simply a masterpiece of 20th century music. Absolutely beautiful...Berg somehow always managed to inject such a great level of beauty and emotion into serial works, it's unbelievable.
QuoteThere we go. By the way, anyone know of a good recording of the Scriabin concerto? I've heard it before, but I'd like to own I think that Heinrich Neuhaus recorded that concerto..I have beautifull recording by Konstantin Scherbakov for Naxos, really exellent playing..
There are so many great concertos out there but a candidate I'm surprised no one's mentioned is the Busoni, just because it's so incredibly strong and tied together structurally (no pun intended - 3 of the movements were inspired by diff. architecture forms) that even at 70 minutes (longest ever?) it never overstays its welcome.
Check out Offertorium by Gubaidulina if you want to hear a modern and atonal work with plenty of emotion. The final almost makes me cry. Itīs so beautiful.
Concerto 4 seems to me almost perfection.
I also think the Grieg concerto is overrated. The final minute or so is wonderful, but when I listen to the piece I hear nothing that in my mind would put it above, say, Scharwenka's Fourth, which although littered with ridiculous amounts of double octaves is still a party to listen to.
I went to see the Offertorium performed alongside Tchaikovsky's 5th recently. Interesting work but I thought I missed something, particularly in the incorporation of the Bach theme with notes increasingly cut off on both sides, which the pre-program lecture spent like 10 minutes on and I didn't hear an example of once in the listening. The D-flat semitonal section with the repeated, insistent bells on a D minor chord was very cool though.
Who played it when you saw it?
6. Rachmaninoff's [Paganini] Rhapsody, although not a concerto ......